Phyllis and Aristotle

Phyllis and Aristotle

Title

Phyllis and Aristotle

[Sotheby's online database;http://www.sothebys.com/en/auctions/ecatalogue/2008/important-old-master-paintings-including-european-works-of-art-n08404/lot.78.html?locale=en; accessed 20-03-2019]

Painting on wood

Medium

Painting on wood

[Sotheby's online database;http://www.sothebys.com/en/auctions/ecatalogue/2008/important-old-master-paintings-including-european-works-of-art-n08404/lot.78.html?locale=en; accessed 20-03-2019]

The humiliation of the Greek philosopher Aristotle was one of the most powerful and popular pictorial examples of the theme of Weibermacht or the 'Power of Woman' in the late Middle Ages. Although Indian in origin, the legend was popularised by the 13th century cleric Jacques de Vitry in his

The humiliation of the Greek philosopher Aristotle was one of the most powerful and popular pictorial examples of the theme of Weibermacht or the 'Power of Woman' in the late Middle Ages. Although Indian in origin, the legend was popularised by the 13th century cleric Jacques de Vitry in his Sermones feriales et communes, and by Cranach's day had been treated in various texts and in a German 15th century play, Ain Spil von Maister Aristotiles. Although payment is recorded in 1524 for a decorative painting by Cranach of this subject on cloth for the Castle of Lochau in Saxony, the present painting appears to be the only surviving panel painting of this subject. Previously unrecorded it represents an addition of enormous importance to one of the central themes in Cranach's oeuvre.

Aristotle is supposed to have admonished his student, usually identified as the young Alexander the Great, for paying too much attention to Phyllis, a woman of the court, and thus paying too little attention to his studies and state duties. Phyllis, angered by Aristotle's interference, decided to revenge herself by seducing him. By promenading suggestively in the garden beneath Aristotle's window, she succeeded in arousing the aged philosopher. The focal point of the narrative usually illustrated is when, as here, in return for the promise of her favours, Phyllis demands and receives a ride on the philospher's back. Aristotle's humiliation thus provides a salient lesson about the spiritual and physical vulnerability of even the most learned philospher.

Aristotle and Phyllis was one of the several stories illustrating the power of woman over men which enjoyed great popularity in medieval art and literature. Cranach's depiction of the subject differs from that of his contemporaries in several ways. Cranach has in fact dispensed with several basic narrative elements in order to focus on the psychological relationship between the two protagonists, alone in a landscape, emphasizing the contrast between the elegant courtly female and the anguished scholar.

[Sotheby's online database;http://www.sothebys.com/en/auctions/ecatalogue/2008/important-old-master-paintings-including-european-works-of-art-n08404/lot.78.html?locale=en; accessed 20-03-2019]

Attribution
Lucas Cranach the Elder

Attribution

Lucas Cranach the Elder

[Sotheby's online database;http://www.sothebys.com/en/auctions/ecatalogue/2008/important-old-master-paintings-including-european-works-of-art-n08404/lot.78.html?locale=en; accessed 20-03-2019]

Production date
1530

Production date

1530

[dated]

Dimensions
Dimensions of support: 55.3 x 35.3 cm

Dimensions

  • Dimensions of support: 55.3 x 35.3 cm

  • [Sotheby's online database;http://www.sothebys.com/en/auctions/ecatalogue/2008/important-old-master-paintings-including-european-works-of-art-n08404/lot.78.html?locale=en; accessed 20-03-2019]

Signature / Dating

Artist's insignia on the tree trunk at the left: serpent with elevated wings, facing right and dated '1530'; in white paint

Signature / Dating

  • Artist's insignia on the tree trunk at the left: serpent with elevated wings, facing right and dated '1530'; in white paint

  • [cda 2019]

Owner
Private Collection
Repository
Private Collection
CDA ID
PRIVATE_NONE-P270
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/PRIVATE_NONE-P270/

Provenance

  • probably Henri de Namur, Seigneur de Flostoy et de Bayart (b. 1528), or Philippe de Namur d'Elzée, Seigneur de Dhuy, d'Elzée et de Laitre (b. 1550)
  • thence by direct descent to Constant Marie Claude de Namur, Vicomte d'Elzée (b. 1790; married secondly Aimée Christine Leopoldine de Beauffort)
  • their daughter, Caroline, whose husband adopted the title of Comte de Namur d'Elzée by Royal assent when the earlier line became extinct upon the death of her uncle
  • thence by descent
  • anonymous sale ('The Property of a Noble Family'), London, Sotheby's, December 13, 2001, lot 24, where acquired by the present owner
  • 24.01.2008 sold by Sotheby's, New York
    [Sotheby's online database;http://www.sothebys.com/en/auctions/ecatalogue/2008/important-old-master-paintings-including-european-works-of-art-n08404/lot.78.html?locale=en; accessed 20-03-2019]

Literature

Reference on page Catalogue Number Figure / Plate
Koepplin 2003 B 17-19, 20-32 Fig. 1, front cover (detail)
AuthorDieter Koepplin
TitleNeue Werke von Lukas Cranach und ein altes Bild einer polnischen Schlacht - von Hans Krell?
Place of PublicationBasel
Year of Publication2003
  • Phyllis and Aristotle, 1530

Images

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Citing from the Cranach Digital Archive

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<author's name>, 'Phyllis and Aristotle', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P270/ (Accessed {{dateAccessed}})
Entry with no author
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