Lucretia

Lucretia

Title

Lucretia

[Friedländer, Rosenberg 1979, 118, No. 240B]

Painting on wood

Medium

Painting on wood

[http://www.royalcollection.org.uk; 23.04.2011]

The painting depicts Lucretia as a standing three-quarter length figure in contemporary dress with a view of a landscape in the background.

Her face is inclined slightly to the right and she stares into the far distance. In her right hand she holds a long dagger pointed towards her breast

The painting depicts Lucretia as a standing three-quarter length figure in contemporary dress with a view of a landscape in the background.

Her face is inclined slightly to the right and she stares into the far distance. In her right hand she holds a long dagger pointed towards her breast and in her left hand she elegantly holds her overcoat. This is green and trimmed with fur and is draped over her right shoulder. Under the overcoat she wears a precious gold and red robe with stepped sleeves and a white undergarment with puffed sleeves, which is open to reveal her chest. To complement the robe Lucretia wears precious jewellery: a choker and a neckband decorated with pearls. In addition her blond curls are pinned up beneath a pearl bonnet.

The background is dark, but a window on the left indicates that Lucretia is standing in a room. A view of a mountainous landscape with a town and numerous castles is visible through the window.

According to the legend Lucretia lived in the 6th century BC and was the beautiful and virtuous wife of the roman Collatinus. The roman King's son - Sextus Tarquinius fell in love with her. During a stay in her house Sextus threatened to kill her and shame her honour if she did not surrender to him. After the rape Lucretia had her father and husband vow vengeance and then she stabbed herself. The event led to an uprising in which the royal family was overthrown and the Roman Empire became a Republic.

Depictions of Lucretia who was seen as the epitomy of female virtue, chastity, fidelity and honour enjoyed great popularity, particularly in the 16th century.

[Literature: Bierende 2002, Follak 2002, Livius 1909]

Attributions
Lucas Cranach the Elder
Lucas Cranach the Elder (and workshop)

Attributions

Lucas Cranach the Elder

[Friedländer, Rosenberg 1979, 118, No. 240B]

Lucas Cranach the Elder (and workshop)

[http://www.royalcollection.org.uk; 23.04.2011]

Production date
1530

Production date

1530

[dated]

Dimensions
Dimensions of support: 76.4 x 56 cm

Dimensions

  • Dimensions of support: 76.4 x 56 cm

  • [http://www.royalcollection.org.uk; 23.04.2011]

Signature / Dating

Artist's insignia bottom left: winged serpent (with elevated wings) and dated '1530'

Signature / Dating

  • Artist's insignia bottom left: winged serpent (with elevated wings) and dated '1530'

  • [http://www.royalcollection.org.uk; 23.04.2011]

Owner
Her Majesty Queen Elizabeth II, London
Repository
The Royal Collection, London
Location
London
CDA ID
UK_RCL_RCIN400050
FR (1978) Nr.
FR240B
Persistent Link
https://lucascranach.org/en/UK_RCL_RCIN400050/

Provenance

  • purchased by Prince Albert in 1844 and hung in the Page's Waiting Room at Osborne
    [http://www.royalcollection.org.uk; 23.04.2011]

Exhibitions

London 2010

Literature

Reference on page Catalogue Number Figure / Plate
Exhib. Cat. London 2010
EditorJonathan Marsden
TitleVictoria & Albert: Art & Love
Place of PublicationLondon
Year of Publication2010
Bierende 2002
AuthorEdgar Bierende
TitleLucas Cranach d.Ä. und der deutsche Humanismus. Tafelmalerei im Kontext von Rhetorik, Chroniken und Fürstenspiegeln
Place of PublicationBerlin
Year of Publication2002
Follak 2002
AuthorJan Follak
TitleLucretia zwischen positiver und negativer Anthropologie: Coluccio Salutatis Declamatio Lucretie und die Menschenbilder im exemplum der Lucretia von der Antike bis in die Neuzeit
Place of PublicationKonstanz
Year of Publication2002
Link http://nbn-resolving.de/urn:nbn:de:bsz:352-opus-9144
Friedländer, Rosenberg 1979 118 240B
AuthorMax J. Friedländer, Jakob Rosenberg
EditorG. Schwartz
TitleDie Gemälde von Lucas Cranach
Place of PublicationBasel, Boston, Stuttgart
Year of Publication1979
Friedländer, Rosenberg 1932 66 198b
AuthorMax J. Friedländer, Jakob Rosenberg
TitleDie Gemälde von Lucas Cranach
Place of PublicationBerlin
Year of Publication1932
Link http://digi.ub.uni-heidelberg.de/diglit/friedlaender1932

Research History / Discussion

The painting evolved from the same prototype as the painting owned by the University of Houston Foundation (FR 237), which was executed one year earlier. This is evident from the similar pose and clothing of Lucretia as well as the window, which is visible in the background.

[Herrschaft, cda 2011]

  • Lucretia, 1530

Images

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Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'Lucretia', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/UK_RCL_RCIN400050/ (Accessed {{dateAccessed}})
Entry with no author
'Lucretia', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/UK_RCL_RCIN400050/ (Accessed {{dateAccessed}})

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