The Judgement of Paris

The Judgement of Paris

Title

The Judgement of Paris

[The Royal Collection, revised 2012]

Painting on wood

Medium

Painting on wood

[The Royal Collection, revised 2012]

'Paris, son of the Trojan King Priam, who was living as a shepherd, was sought out by Mercury, the messenger of the gods, and asked to decide which of the three goddesses, Venus, Juno or Minerva, was the most beautiful. Paris chose Venus, who rewarded him with the beautiful Helen,

'Paris, son of the Trojan King Priam, who was living as a shepherd, was sought out by Mercury, the messenger of the gods, and asked to decide which of the three goddesses, Venus, Juno or Minerva, was the most beautiful. Paris chose Venus, who rewarded him with the beautiful Helen, wife of the Spartan King Menelaus. Paris's abduction of Helen led to the downfall of Troy. The story told in Dares of Phrygia's sixth-century Bellum Troianum was modified in later accounts, such as the influential Historia destructionis Troiae by Guido delle Colonne in the thirteenth century. In Guido's version, Paris is a knight out hunting who, tying his horse to a tree, fell asleep and dreamed that Mercury presented the three goddesses to him; Paris asked them to put aside their clothes, and when he chose Venus he was released from sleep. Cranach seems to follow this version here; his knight is lost in the forest and has a dazed appearance, as if awakening from a dream.

Cranach has painted Mercury as an old man who hands him a crystal orb which is inscribed 'MONET' ('he (or it) warns or advises' in Latin), perhaps referring to Paris's task of judging the three goddesses in front of him. As in other versions by Cranach, the goddesses are hard to identify, but it is probably Venus who stands closest to Paris, casting a knowing look at the viewer and at whom Cupid aims his arrow.'

[http://www.royalcollection.org.uk/eGallery/object.asp?searchText=cranach&x=0&y=0&object=405757&row=4&detail=about] (accessed 23.02.2012)

Attribution
Lucas Cranach the Elder

Attribution

Lucas Cranach the Elder

[The Royal Collecion, revised 2012]

Production date
about 1530 - 1535

Production date

about 1530 - 1535

[The Royal Collection, revised 2012]

Dimensions
Dimensions of support: 50.2 x 34.9 cm

Dimensions

  • Dimensions of support: 50.2 x 34.9 cm

  • [The Royal Collection, revised 2012]

  • Dimensions including frame: 61.4 x 45.5 cm

  • [The Royal Collection, revised 1993]

Signature / Dating

Artist's insignia bottom left: winged serpent with elevated wings facing right; in black paint

Signature / Dating

  • Artist's insignia bottom left: winged serpent with elevated wings facing right; in black paint

Inscriptions and Labels
  • on the glass orb: 'MONET' Front of the frame:
    Label: 'LUCAS CRANACH THE JUDGEMENT OF PARIS'

[The Royal Collection, …

Inscriptions and Labels

Inscriptions, Badges:

    • on the glass orb:
  • 'MONET'

Stamps, Seals, Labels:

  • Front of the frame: Label: 'LUCAS CRANACH THE JUDGEMENT OF PARIS'

  • [The Royal Collection, revised 1993]

Owner
Her Majesty Queen Elizabeth II, London
Repository
The Royal Collection, London
Location
London
CDA ID
UK_RCL_RCIN405757
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/UK_RCL_RCIN405757/

Provenance

  • first recorded in the Royal Collection during the reign of James II
    [The Royal Collection, revised 2012]
  • The Judgement of Paris, about 1530 - 1535

Images

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Conservation History

Date1993

  • no information available

Citing from the Cranach Digital Archive

Entry with author
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Entry with no author
'The Judgement of Paris', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/UK_RCL_RCIN405757/ (Accessed {{dateAccessed}})

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