The Suicide of Lucretia

The Suicide of Lucretia

Title

The Suicide of Lucretia

[Exhib. Cat. Aschaffenburg 2007, 321, No. 70] [Bestandsliste Bayerische Staatsgemäldesammlungen 2009]

Painting on limewood

Medium

Painting on limewood

[Exhib. Cat. Aschaffenburg 2007, 321, No. 70]
[Exhib. Cat. Munich 2011, 149, No. WAF1148]
[Bayerische Staatsgemäldesammlungen, revised 2009]

The painting depicts Lucretia in contemporary dress standing in front of a landscape.

Her head is inclined slightly to the left and she stares into the far distance. Her hands are lowered and she holds the dagger with which she has already injured her breasts.

Lucretia wears a gold, contemporary dress

The painting depicts Lucretia in contemporary dress standing in front of a landscape.

Her head is inclined slightly to the left and she stares into the far distance. Her hands are lowered and she holds the dagger with which she has already injured her breasts.

Lucretia wears a gold, contemporary dress with white puffed sleeves, which has slipped off her shoulders to reveal her breasts. To complement the dress she wears a linked chain and a neck lace, both of which are richly decorated with pearls. Her curled hair is also decorated with pearls and covered with a veil. The simplicity of the long dagger is contrasted by the precious jewellery.

A mountainous landscape with a castle is visible in the background.

According to the legend Lucretia lived in the 6th century BC and was the beautiful and virtuous wife of the roman Collatinus. The roman King's son - Sextus Tarquinius fell in love with her. During a stay in her house Sextus threatened to kill her and shame her honour if she did not surrender to him. After the rape Lucretia had her father and husband vow vengeance and then she stabbed herself. The event led to an uprising in which the royal family was overthrown and the Roman Empire became a Republic.

Depictions of Lucretia who was seen as the epitomy of female virtue, chastity, fidelity and honour enjoyed great popularity, particularly in the 16th century.

[Literature: Bierende 2002, Follak 2002, Livius 1909]

Attribution
Anonymous Master from the Cranach Workshop

Attribution

Anonymous Master from the Cranach Workshop

[Exhib. Cat. Munich 2011, 149, No. WAF1148]

Production date
about 1520-1540

Production date

about 1520-1540

[Bayerische Staatsgemäldesammlungen, revised 2009]

Dimensions
Dimensions of support: 48 x 35.1 cm

Dimensions

  • Dimensions of support: 48 x 35.1 cm

  • [Exhib. Cat. Aschaffenburg 2007, 321, No. 70]

  • [Exhib. Cat. Munich 2011, 149, No. WAF1148]

  • [Bayerische Staatsgemäldesammlungen, revised 2009]

Owner
Bayerische Staatsgemäldesammlungen
Repository
Staatsgalerie im Schloss Johannisburg, Aschaffenburg
Location
Aschaffenburg
CDA ID
DE_BStGS_WAF1148
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/DE_BStGS_WAF1148/

Provenance

  • 1828 purchased by King Ludwig I. from the Oettingen-Wallerstein Collection
    [Exhib. Cat. Aschaffenburg 2007, 321, No. 70]
    [Exhib. Cat. Munich 2011, 149, No. WAF1148]
  • Staatsgalerie 1st floor, room 8
    [Bayerische Staatsgemäldesammlungen, revised 2009]

Exhibitions

Aschaffenburg 2007, No. 70

Literature

Reference on page Catalogue Number Figure / Plate
Exhib. Cat. Munich 2011 149 No. WAF 1148
AuthorMartin Schawe
EditorBayerische Staatsgemäldesammlungen
TitleCranach in Bayern
Place of PublicationMunich
Year of Publication2011
Exhib. Cat. Aschaffenburg 2007 321, 323-324 No. 70 Fig. p. 323
EditorGerhard Ermischer, Andreas Tacke
TitleCranach im Exil. Aschaffenburg um 1540. Zuflucht - Schatzkammer - Residenz. Ausstellungskatalog Schloss Johannisburg und Kunsthalle Jesuitenkirche
Place of PublicationRegensburg
Year of Publication2007
Schawe 2007 A 215 Fig. 1
AuthorMartin Schawe
TitleCranach in Aschaffenburg. 1814 bis heute
Publicationin Gerhard Ermischer, Andreas Tacke, ed., Cranach im Exil- Aschafffenburg um 1540. Zuflucht, Schatzkammer, Residenz
Place of PublicationRegensburg
Year of Publication2007
Pages215-225
Follak 2002
AuthorJan Follak
TitleLucretia zwischen positiver und negativer Anthropologie: Coluccio Salutatis Declamatio Lucretie und die Menschenbilder im exemplum der Lucretia von der Antike bis in die Neuzeit
Place of PublicationKonstanz
Year of Publication2002
Link http://nbn-resolving.de/urn:nbn:de:bsz:352-opus-9144

Research History / Discussion

This depiction of Lucretia is similar to the painting in Kassel (FR122). In both paintings Lucretia is represented wearing contemporary dress, holding a dagger in both hands and is shown in front of a landscape. The size is also very similar.

[Herrschaft, CDA 2011]

  • The Suicide of Lucretia, about 1520-1540

Images

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Technical studies

06. 2012Technical examination / Scientific analysis

  • Infrared reflectography
  • irr

Underdrawing

DESCRIPTION

Tools/Materials:

- fluid, black medium and brush

Type/Ductus:

- freehand underdrawing

- thin lines

Function:

- relatively binding for the final painted version; lines delineate contours and describe the essential details and the facial features; no representation of volume

Deviations:

- minor alterations made during the painting process to clearly define form

INTERPRETATION

Attribution:

- not possible

[Smith, Sandner, Heydenreich, cda 2012]

  • photographed by Gunnar Heydenreich
  • photographed by Ingo Sandner

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'The Suicide of Lucretia', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/DE_BStGS_WAF1148/ (Accessed {{dateAccessed}})
Entry with no author
'The Suicide of Lucretia', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/DE_BStGS_WAF1148/ (Accessed {{dateAccessed}})

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