The painting depicts Lucretia as a half-length figure in contemporary dress. Her face is turned slightly to the left and she stares into the far distance. In her left, gloved hand she holds a dagger pointed towards her breast. Her right hand touches the bottom edge of the painting.
Lucretia
The painting depicts Lucretia as a half-length figure in contemporary dress. Her face is turned slightly to the left and she stares into the far distance. In her left, gloved hand she holds a dagger pointed towards her breast. Her right hand touches the bottom edge of the painting.
Lucretia wears a fur-trimmed overcoat. The parallel stepped white sleeves of a dress, which reveals her chest, are visible beneath. She also wears a necklace with pearls and precious stones and a large chain around her neck. Her curls are decorated with a hair band studded with pearls.
The background is dark.
[Herrschaft, CDA 2011]
According to the legend Lucretia lived in the 6th century BC and was the beautiful and virtuous wife of the roman Collatinus. The roman King's son - Sextus Tarquinius fell in love with her. During a stay in her house Sextus threatened to kill her and shame her honour if she did not surrender to him. After the rape Lucretia had her father and husband vow vengeance and then she stabbed herself. The event led to an uprising in which the royal family was overthrown and the Roman Empire became a Republic.
Depictions of Lucretia who was seen as the epitomy of female virtue, chastity, fidelity and honour enjoyed great popularity, particularly in the 16th century.
[Literature: Bierende 2002, Follak 2002, Livius 1909]
- Attributions
-
Workshop Lucas Cranach the Elder
Circle of or copy after Lucas Cranach the Elder
Attributions
Workshop Lucas Cranach the Elder | [http://www.museumhaldensleben.de/; 19.02.2011] |
Circle of or copy after Lucas Cranach the Elder | [Letter, D. Koepplin in the Koepplin Archive, 2008] |
Master of the Mass of St Gregory | ? [cda 2022] |
- Production date
- 1519 (?)
Production date
1519 (?) | [dated, probably not genuine] |
- Dimensions
- Dimensions of support: 27.4 x 17.5 cm
Dimensions
Dimensions of support: 27.4 x 17.5 cm
Dimensions including frame: 37 x 27.5 cm
[letter D. Koepplin in the Archive D. Koepplin, 2008]
- Signature / Dating
Artist's insignia top left: serpent with dropped wings and dated '1519' (not genuine)
Signature / Dating
Artist's insignia top left: serpent with dropped wings and dated '1519' (not genuine)
- Inscriptions and Labels
On the reverse: - handwritten: 'No 127'
[cda 2022]
Inscriptions and Labels
Stamps, Seals, Labels:
On the reverse: - handwritten: 'No 127'
[cda 2022]
- Owner
- Museum Haldensleben
- Repository
- Museum Haldensleben
- Location
- Haldensleben
- CDA ID
- DE_MH_VI-53-312
- FR (1978) Nr.
- FR-none
- Persistent Link
- https://lucascranach.org/en/DE_MH_VI-53-312/