Lucretia

Lucretia

Titles

Lucretia

[Yeide 2009, 233, No. A17]

Painting on limewood

Medium

Painting on limewood

[Bayerische Staatsgemäldesammlungen, revised 2011]

The painting depicts Lucretia as a standing, three-quarter length nude with an overcoat. Lucretia is inclined slightly to the left and her head and gaze also point in this direction. Her lower right arm is raised and in her hand she holds the dagger. The long dagger is pointed at

The painting depicts Lucretia as a standing, three-quarter length nude with an overcoat. Lucretia is inclined slightly to the left and her head and gaze also point in this direction. Her lower right arm is raised and in her hand she holds the dagger. The long dagger is pointed at the centre of her chest just below the breasts. Her left, lowered hand holds the dark red fur-trimmed overcoat, which appears almost to slip off her shoulders. In addition she wears a transparent undergarment with very wide sleeves. She wears a richly decorated neckband with a pendant, has rings on the fingers of both hands and her hair is pinned up under a net bonnet decorated with pearls.

The background consists of a green draped curtain.

According to the legend Lucretia lived in the 6th century BC and was the beautiful and virtuous wife of the roman Collatinus. The roman King's son - Sextus Tarquinius fell in love with her. During a stay in her house Sextus threatened to kill her and shame her honour if she did not surrender to him. After the rape Lucretia had her father and husband vow vengeance and then she stabbed herself. The event led to an uprising in which the royal family was overthrown and the Roman Empire became a Republic.

Depictions of Lucretia who was seen as the epitomy of female virtue, chastity, fidelity and honour enjoyed great popularity, particularly in the 16th century.

[Literature: Bierende 2002, Follak 2002, Livius 1909]

Attribution
Follower of Lucas Cranach the Elder

Attribution

Follower of Lucas Cranach the Elder

'Anonymer Schüler Lucas Cranach d.Ä.' [Bayerische Staatsgemäldesammlungen, revised 2011]

Production date
1525

Production date

1525

[dated]

Dimensions
Dimensions of support: 41.5 x 27.6 cm

Dimensions

  • Dimensions of support: 41.5 x 27.6 cm

  • [Bayerische Staatsgemäldesammlungen, revised 2011]

Signature / Dating

Artist's insignia top right: winged serpent with elevated wings and dated '1525'

Signature / Dating

  • Artist's insignia top right: winged serpent with elevated wings and dated '1525'

  • (probably not genuine)

Owner
Bayerische Staatsgemäldesammlungen
Repository
Staatsgalerie im Schloss Johannisburg, Aschaffenburg
Location
Aschaffenburg
CDA ID
DE_BStGS_13256
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/DE_BStGS_13256/

Provenance

  • 10.07.1931 at Christie's (from Forres collection)
    [handwritten annotation D. Koepplin, on the back of a photo in the Archive of D. Koepplin]
  • 20./21.10.1936 at Paul Graupe, Berlin (Cat. 155, No. 14)
    [Bayerische Staatsgemäldesammlungen, revised 2009]
    [Yeide 2009, 234, No. A17]
  • sold to Ferdinand Knapp, Berlin
    [Yeide 2009, 234, No. A17]
  • sold to Hermann Göring for RM 7000 [1]
    [Bayerische Staatsgemäldesammlungen, revised 2009]
    Inventory No. RM16
    [Yeide 2009, 234, No. A17]
  • MCCP (Munich Central Collection Point) number 6363 [1]
    [Bayerische Staatsgemäldesammlungen, revised 2009]
    [Yeide 2009, 234, No. A17]
  • 1961 transferred from the trust management (Treuhandverwaltung) (transfer list 2, No. 188) [1]
    [Bayerische Staatsgemäldesammlungen, revised 2009]
  • 1961 transferred from State property [1]
    [Bayerische Staatsgemäldesammlungen, revised 2009]
    [Yeide 2009, 234, No. A17]
  • see also: http://www.dhm.de/datenbank/goering/dhm_goering.php?seite=5&fld_0=RMG00473
  • Staatsgalerie Ist floor, room 7
    [Bayerische Staatsgemäldesammlungen, revised 2009]

[1]Göring Collection, DHM-database:
http://www.dhm.de/datenbank/goering/dhm_goering.php?seite=5&fld_0=RMG00473

See also the entry in the Lost Art-database, Stiftung Deutsches Zentrum für Kulturgutverluste: Lost Art-ID 391054; http://www.lostart.de/DE/Fund/391054 (accessed 17 Dec. 2019).

Exhibitions

Aschaffenburg 2007, No. 69

Literature

Reference on page Catalogue Number Figure / Plate
Exhib. Cat. Munich 2011 148 No. 13256
AuthorMartin Schawe
EditorBayerische Staatsgemäldesammlungen
TitleCranach in Bayern
Place of PublicationMunich
Year of Publication2011
Yeide 2009 A17
AuthorNancy H. Yeide
TitleBeyond the Dreams of Avarice. The Hermann Goering Collection
Place of PublicationDallas
Year of Publication2009
Exhib. Cat. Aschaffenburg 2007 321, 323-324 No. 69 Fig. p. 323
EditorGerhard Ermischer, Andreas Tacke
TitleCranach im Exil. Aschaffenburg um 1540. Zuflucht - Schatzkammer - Residenz. Ausstellungskatalog Schloss Johannisburg und Kunsthalle Jesuitenkirche
Place of PublicationRegensburg
Year of Publication2007
Follak 2002
AuthorJan Follak
TitleLucretia zwischen positiver und negativer Anthropologie: Coluccio Salutatis Declamatio Lucretie und die Menschenbilder im exemplum der Lucretia von der Antike bis in die Neuzeit
Place of PublicationKonstanz
Year of Publication2002
Link http://nbn-resolving.de/urn:nbn:de:bsz:352-opus-9144

Research History / Discussion

This pictorial type, which shows Lucretia holding the dagger in her right hand raised to her shoulder and a coat or overcoat in her left hand, was repeated by Cranach the Elder in several versions.

[Herrschaft, cda 2011]

  • Lucretia, 1525

Images

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Technical studies

06. 2012Technical examination / Scientific analysis

  • Infrared reflectography
  • irr

Underdrawing

DESCRIPTION

Tools/Materials:

- fluid, black medium and brush

Type/Ductus:

- freehand underdrawing

- thin lines

- occasional hatching-strokes

Function:

- relatively binding for the final painted version; lines delineate contours and describe the essential details and the facial features; some representation of volume (hatching-strokes)

Deviations:

- minor alterations made during the painting process to clearly define form

INTERPRETATION

Attribution:

- workshop

[Smith, Sandner, Heydenreich, cda 2013]

  • photographed by Gunnar Heydenreich
  • photographed by Ingo Sandner

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'Lucretia', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/DE_BStGS_13256/ (Accessed {{dateAccessed}})
Entry with no author
'Lucretia', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/DE_BStGS_13256/ (Accessed {{dateAccessed}})

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