The Pflock Altarpiece [right wing]: St Sebaldus [recto], St Dorothy [verso]

The Pflock Altarpiece [right wing]: St Sebaldus [recto], St Dorothy [verso]

Title

The Pflock Altarpiece [right wing]: St Sebaldus [recto], St Dorothy [verso]

[cda 2015]

Painting on limewood

Medium

Painting on limewood

[Friedländer, Rosenberg 1979, 159, No. SUP1D]

The exterior of the right wing panel depicts St Dorothy, whereas the inner side depicts St Sebaldus. both saints are shown as full-length figures in front of a landscape backdrop.

Attributions
Master of the Pflock Altarpiece
Pseudo- Matthias Grünewald

Attributions

Master of the Pflock Altarpiece

[Emmendörfer 1998, 219]
[Sandner 1993, 242]

Pseudo- Matthias Grünewald

'galt lange Zeit als ein Werk des sog. Pseudo-Grünewald'
[Emmendörfer 1998, 219; No. 22.14]

Production dates
about 1523
about 1520

Production dates

about 1523

[Emmendörfer 1998, 219]
[Sandner 1993, 242]

about 1520

[Friedländer, Rosenberg 1979, 159, No. SUP1D]

Dimensions
Dimensions of painted surface: 180 x 58 cm

Dimensions

  • Dimensions of painted surface: 180 x 58 cm

  • Dimensions including frame: 194.7 x 73.2 x 6 cm

  • [Heydenreich, cda 2015]

Signature / Dating

None

Owner
Ev.-Luth. Kirchgemeinde Annaberg-Buchholz
Repository
St. Annenkirche, Annaberg-Buchholz
Location
Annaberg-Buchholz
CDA ID
DE_SAKA_SAKA001c
FR (1978) Nr.
FRSup001D
Persistent Link
https://lucascranach.org/en/DE_SAKA_SAKA001c/

Overall view of the piece
Connected Works

The Pflock Altarpiece [central panel]: the Death of the Virgin
  • The Pflock Altarpiece [central panel]: the Death of the Virgin, about 1523
  • DE_SAKA_SAKA001a
  • Painting
  • Ev.-Luth. Kirchgemeinde Annaberg-Buchholz

Provenance

  • after the death of Lorenz Pflock in 1521 the donation of an altarpiece followed, evidently according to his bequest, and its installation was recorded in 1523. This altarpiece is the Pflock family altarpiece, which is still located in its original position.
    [Sandner 1993, 306]

Literature

Reference on page Catalogue Number Figure / Plate
Heydenreich 2021 A 49
AuthorGunnar Heydenreich
TitleHans Kemmer: Spuren künstlerischer Gestaltungsprozesse. Teil I: Lübeck
Publicationin Dagmar Täube, ed., Lucas Cranach der Ältere und Hans Kemmer. Meistermaler zwischen Renaissance und Reformation [Lübeck, St. Annen-Museum]
Place of PublicationMunich
Year of Publication2021
Pages49-57
Show Literature
Cat. Coburg 2018 74, fn. 8, 125 under no. 10
AuthorKlaus Weschenfelder
TitleCranach in Coburg. Gemälde von Lucas Cranach d.Ä., Lucas Cranach d.J., der Werkstatt und des Umkreises in den Kunstsammlungen der Veste Coburg
Place of PublicationRegensburg
Year of Publication2018
Show Literature
Emmendörffer 1998 219
AuthorChristoph Emmendörffer
TitleDie selbständigen Cranachschüler
Publicationin Ingo Sandner, Wartburg-Stiftung Eisenach and Fachhochschule Köln, eds., Unsichtbare Meisterzeichnungen auf dem Malgrund. Cranach und seine Zeitgenossen, Exhib. Cat. Eisenach
Place of PublicationRegensburg
Year of Publication1998
Pages203-228
Show Literature
Sandner 1998 B 90
AuthorIngo Sandner
TitleCranach als Zeichner auf dem Malgrund
Publicationin Ingo Sandner, Wartburg-Stiftung Eisenach and Fachhochschule Köln, eds., Unsichtbare Meisterzeichnungen auf dem Malgrund. Cranach und seine Zeitgenossen, Exhib. Cat. Eisenach
Place of PublicationRegensburg
Year of Publication1998
Pages83-95
Show Literature
Sandner 1993 242, 302, 306 Plate 78-81
AuthorIngo Sandner
TitleSpätgotische Tafelmalerei in Sachsen
Place of PublicationDresden, Basel
Year of Publication1993
Show Literature
Friedländer, Rosenberg 1979 159 No. SUP1D Fig. SUP1
AuthorMax J. Friedländer, Jakob Rosenberg
EditorG. Schwartz
TitleDie Gemälde von Lucas Cranach
Place of PublicationBasel, Boston, Stuttgart
Year of Publication1979
Show Literature
Friedländer, Rosenberg 1932 353
AuthorMax J. Friedländer, Jakob Rosenberg
TitleDie Gemälde von Lucas Cranach
Place of PublicationBerlin
Year of Publication1932
Link http://digi.ub.uni-heidelberg.de/diglit/friedlaender1932
Show Literature
Flechsig 1900 A Pl. 71-73
AuthorEduard Flechsig
TitleCranachstudien
Volume1
Place of PublicationLeipzig
Year of Publication1900
Link page/n5/mode/2up
Show Literature
Exhib. Cat. Dresden 1899 Cat.-No.139
EditorKarl Woermann
TitleDeutsche Kunstausstellung Dresden 1899. Abteilung Cranach-Ausstellung. Wissenschaftliches Verzeichnis der ausgestellten Werke
Place of PublicationDresden
Year of Publication1899
Link http://resolver.staatsbibliothek-berlin.de/SBB00002A2400000000
Show Literature

Research History / Discussion

'The master [at work here] was an apprentice in the Cranach workshop, whose individual style appears to be disernable in the Cranach workshop at a relatively early stage, as early as the second decade.

[Friedländer, Rosenberg 1979, 159, No. SUP1D]

  • The Pflock Altarpiece [right wing]: St Sebaldus [recto], St Dorothy [verso], about 1523

Images

Compare images
  • overall
  • overall
  • overall
  • reverse
  • reverse
  • irr
  • irr
  • detail
  • detail
  • detail

Technical studies

03. 2015Technical examination / Scientific analysis

  • Infrared reflectography
  • irr
  • irr

Underdrawing

St Sebaldus [recto]

DESCRIPTION

Tools/Material:

- fluid black medium, brush; intial design probably executed employed a very diluted medium

Type/Ductus:

- very detailed freehand underdrawing

- thin to broader lines, often very long; frequent use of short fine lines; hatching-strokes

Function:

- binding for the final painted version; lines delineate the main contours and define essential details and facial features; representation of volume with hatching-strokes

Deviations:

- minor alterations made during the painting process to clearly define forms; almost no changes

St Dorothy [verso]

DESCRIPTION

Tools/Material:

- fluid black medium, brush; initial design probably executed employing a very diluted medium

Type/Ductus:

- relatively detailed and freehand underdrawing; in part only a rough indication of forms

- thin and occasional broader lines; isolated hatching-strokes

Function:

- only relatively binding for the final painted version; lines delineate the main contours and define essential details and facial features; isolated representation of volume with hatching-strokes

Deviations:

- minor alterations made during the painting process to clearly define forms; some changes (the position of the child’s foot is only roughly indicated; changes made to the saint’s hand)

INTERPRETATION

Attribution:

- Master of the Pflock Altar

[Sandner, Smith-Contini, Heydenreich, cda 2015]

  • photographed by Ingo Sandner
  • photographed by Gunnar Heydenreich

2015Technical Examination

  • overall
  • overall
  • reverse

Framing

- original frame

[Heydenreich, cda 2015]

  • examined by Gunnar Heydenreich

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'The Pflock Altarpiece [right wing]: St Sebaldus [recto], St Dorothy [verso]', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/DE_SAKA_SAKA001c/ (Accessed {{dateAccessed}})
Entry with no author
'The Pflock Altarpiece [right wing]: St Sebaldus [recto], St Dorothy [verso]', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/DE_SAKA_SAKA001c/ (Accessed {{dateAccessed}})

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