Mercy Seat (Chapel Pulpit Painting of Augustusburg Hunting Lodge)

Mercy Seat (Chapel Pulpit Painting of Augustusburg Hunting Lodge)

Title

Mercy Seat (Chapel Pulpit Painting of Augustusburg Hunting Lodge)

[Herrschaft, cda 2013]

Painting on limewood

Medium

Painting on limewood

[Schloss Augustusburg , revised 2013]

God the Father sits in the centre of the composition holding the corpse of his Son in his arms. The Holy Ghost floats above him as a dove. The background is gilded and the edge of the painting is framed by clouds. The clouds continue over the abat-voix. Putti sit

God the Father sits in the centre of the composition holding the corpse of his Son in his arms. The Holy Ghost floats above him as a dove. The background is gilded and the edge of the painting is framed by clouds. The clouds continue over the abat-voix. Putti sit on the them holding the instruments of the passion.

[Herrschaft, cda 2013]

Attribution
Lucas Cranach the Younger (and Workshop)

Attribution

Lucas Cranach the Younger (and Workshop)

[Herrschaft, cda 2013]

Production date
1573

Production date

1573

[Crucifixion dated]

Signature / Dating

Artist's insignia on the pulpit painting depicting the crucifixion

Signature / Dating

  • Artist's insignia on the pulpit painting depicting the crucifixion

Owner
Freistaat Sachsen
Repository
Schloss Augustusburg
Location
Augustusburg
CDA ID
DE_SKAU_NONE-SKAU002G
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/DE_SKAU_NONE-SKAU002G/

Provenance

  • in a letter from the 27th of April 1573 Cranach the Younger informs Elector August I of the completion of the pulpit painting commission for the newly built Hunting Lodge, Augustusburg (Jagdschloss Augustusburg). The painting was accompanied by an apprentice to Dresden and taken from there with a vehicle to Augustusburg.

[Schade 1974, 450]
[Herrschaft 2013, 15]

Literature

Reference on page Catalogue Number Figure / Plate
Herrschaft 2015 181-186, 188, 189
AuthorJana Herrschaft
TitleMaltechnik und Materialwahl Lucas Cranach des Jüngeren am Beispiel der Kanzelbilder in der Kapelle auf Schloss Augustusburg (Sachsen)
Publicationin Elke A. Werner, Anne Eusterschulte, Gunnar Heydenreich, eds., Lucas Cranach der Jüngere und die Reformation der Bilder
Place of PublicationMunich
Year of Publication2015
Link https://lucascranach.org/application/files/7016/2097/3068/Herrschaft_Heydenreich_2014_A_Lucretia_by_Cranach_the_Elder.pdf
Pages180-191
Sandner, Heydenreich, Smith-Contini 2015 138, Fn. 84
AuthorGunnar Heydenreich, Ingo Sandner, Helen Smith-Contini
TitleVeränderungen beim Unterzeichnen in Cranachs Werkstatt und die Arbeitsweise von Sohn Lucas
Publicationin Elke A. Werner, Anne Eusterschulte, Gunnar Heydenreich, eds., Lucas Cranach der Jüngere und die Reformation der Bilder
Place of PublicationMunich
Year of Publication2015
Link https://lucascranach.org/application/files/5215/6337/7366/Heydenreich_Sandner_Smith-Contini_2015_-_Unterzeichnung.pdf
Pages128-141
Eisbein, Kempe et al. 2009
AuthorManfred Eisbein, Olaf Kempe, Thomas Löther, Björn Weiß
TitleDie Bildträgerkonservierung und statische Sicherung des Augustusburger Cranach-Altars
JournalVDR-Beiträge zur Erhaltung von Kunst- und Kulturgut
Issue2
Year of Publication2009
Pages24-46
Sandner, Ritschel 1994 189
AuthorIngo Sandner, Iris Ritschel
TitleArbeitsweise und Maltechnik Lucas Cranachs und seiner Werkstatt
Publicationin Claus Grimm, Johannes Erichsen, Evamaria Brockhoff, eds., Lucas Cranach. Ein Maler-Unternehmer aus Franken, Exhib. Cat. Kronach 1994
SeriesVeröffentlichungen zur bayerischen Geschichte und Kultur
Volume26
Place of PublicationAugsburg, Coburg
Year of Publication1994
Pages186-193
Schade 1974 450
AuthorWerner Schade
TitleDie Malerfamilie Cranach
Place of PublicationDresden
Year of Publication1974
Link http://digi.ub.uni-heidelberg.de/diglit/schade1974
Krause et al. 1972
AuthorHans-Joachim Krause, Heinrich Magirius, Kristin-Barbara Ostmann
TitleSchloss Augustusburg 1572 - 1972. Baugeschichte und denkmalpflegerische Instandsetzung
Place of PublicationDresden
Year of Publication1972
Zimmermann E. H. 1953 214
AuthorErnst Heinrich Zimmermann
TitleBeiträge zum Werk Lucas Cranachs d. J.
JournalZeitschrift für Kunstwissenschaft
IssueVol. 7, 3/4
Year of Publication1953
Pages209-215

Research History / Discussion

The pulpit is located on the central pillar at the east side of the south facing chapel. The wooden construction, which is 1.20 m in height, is mounted on a solid projecting stone at a height of c. 2.20 m. The left side of the pulpit with the entrance is shaped like a semi-circle whereas the right side with the lectern is rectangular.

The pulpit is decorated with six illustrations of the Life of the Virgin as well as the Life and Passion of Christ. Each scene is separated by a carved pilaster showing Hermes.

Above the paintings there is a carved frieze, 34 cm in height, depicting putti in tunics recalling Roman legionary uniforms alternating with different coats-of-arms. In the background green tendrils with predominantly red fruit have been painted behind the carving. There is a wooden base of 14 cm in height with a carved geometric decoration beneath the paintings, which finishes with a profiled batten. Above the pulpit is an abat-voix, which is decorated on the underside with a depiction of the Trinity on a gilded ground. This depiction is surrounded by angels on a blue background, holding the instruments of martyrdom. The painting is framed by a carved egg and dart ornamentation. The top of the abat-voix is decorated with a crown.

The six pulpit paintings illustrate - from left to right - the following subjects:

The Annunciation, the Nativity and the Adoration of the Shepherds, the Baptism of Christ, the Crucifixion, the Entombment and the Resurrection. The lectern is located above the Crucifixion.

[Herrschaft 2013, 18-19]

  • Mercy Seat (Chapel Pulpit Painting of Augustusburg Hunting Lodge), 1573

Images

Compare images
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Technical studies

1990Technical Examination

Support

In the centre of the abat-voix a circular panel rests loosely on the inner ring, which is supported by consoles. Each ring (the inner ring, the console ring, the outer ring and the lower outer ring) has been made out of circular segments with butt joints, using almostexclusively limewood. Only the console ring features some segments made out of pine. The abat-voix is held in position by a tension rod measuring 1.4 m in length.

[Schloss Augustusburg, revised 1990]

Condition Reports

Date1990

Numerous exit holes from woodworm (not active), split in the outer ring, some of the glued joint are open, two consoles are missing, the support is split

[Tonio Schulze, Schloss Augustusburg, revised 1990]

Conservation History

Date1990

  • the load-bearing capacity of the abat-voix was reestablished by replacing the console ring with a pine wood ring and consolidating the wood with Piaflex, a stabilizing ring was inserted between the console ring and the outer ring, missing elements were reconstructed in lime wood and replaced, the misalignment was adjusted, open joins were filled and loose parts were glued, lime wood inserts were employed in losses in the support, to suspend it two additional steel cables were attached to the stabilizing ring

[Tonio Schulze, Schloss Augustusburg, revised 1990]

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'Mercy Seat (Chapel Pulpit Painting of Augustusburg Hunting Lodge)', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/DE_SKAU_NONE-SKAU002G/ (Accessed {{dateAccessed}})
Entry with no author
'Mercy Seat (Chapel Pulpit Painting of Augustusburg Hunting Lodge)', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/DE_SKAU_NONE-SKAU002G/ (Accessed {{dateAccessed}})

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