The Crucifixion

The Crucifixion

Title

The Crucifixion

[Heydenreich, cda 2012]

Painting on oak wood

Medium

Painting on oak wood

[Heydenreich, cda 2012]

Cranach's Crucifixion should be seen in light of Luther's ideas. The emphasis upon the recognition of Christ's sacrifice by witnesses to his death on the cross is a clear reference to one of the central tenets of Lutheran theology: that sinful mankind can only be reconciled to God by belief

Cranach's Crucifixion should be seen in light of Luther's ideas. The emphasis upon the recognition of Christ's sacrifice by witnesses to his death on the cross is a clear reference to one of the central tenets of Lutheran theology: that sinful mankind can only be reconciled to God by belief in the atoning sacrifice of Christ. The scene is crowded with figures that are symbolically arranged at the right and left sides of Christ. To his right, the Virgin collapses into the arms of John the Evangelist, while the grieving Magdalene embraces the cross. The Good Thief and Longinus, the Roman spear bearer who converted to Christianity on Christ's death, gaze directly at him. They are contrasted by the brutish soldiers on his left, who ignore him and cast lots for his garments at the foot of the cross. Cranach positioned the contemporary figures of a monk, a cardinal, and a Turk behind the cross among the unenlightened.

Attribution
Copy after Lucas Cranach the Elder

Attribution

Copy after Lucas Cranach the Elder

[Heydenreich, cda 2012]

Production date
after 1532

Production date

after 1532

[Heydenreich, cda 2012]

Dimensions
Dimensions of support: 78 x 57.5 cm

Dimensions

  • Dimensions of support: 78 x 57.5 cm

  • [Heydenreich, cda 2012]

Signature / Dating

Artist's insignia at the bottom left: winged serpent and dated '1532'

Signature / Dating

  • Artist's insignia at the bottom left: winged serpent and dated '1532'

  • [cda 2014]

Owner
Private Collection
Repository
Private Collection
CDA ID
PRIVATE_NONE-P055
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/PRIVATE_NONE-P055/

Provenance

  • Oct 1996, sold at the auction house Dorotheum, Vienna, lot 175
    [Heydenreich, cda 2012]

Literature

Reference on page Catalogue Number Figure / Plate
Friedländer, Rosenberg 1979 no. 218 describes another version 218
AuthorMax J. Friedländer, Jakob Rosenberg
EditorG. Schwartz
TitleDie Gemälde von Lucas Cranach
Place of PublicationBasel, Boston, Stuttgart
Year of Publication1979
  • The Crucifixion, after 1532

Images

Compare images
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Technical studies

24.07.2002Technical examination / Scientific analysis

  • Identification of wood species / Dendrochronology

Support

- oak wood (see pdf for context)

Ground and Imprimatura

- white ground layer (large quantity of lead white)

- grey imprimitura (lead white, calcite, carbon black (organic material))

Underdrawing

- no underdrawing detected (see pdf for context)

Paint Layers and Gilding

pigments: lead white, ochre, vermilion, red iron oxide, red lake pigment, azurite, ultramarine, indigo, copper green, carbon black (organic material)

  • written by Gunnar Heydenreich

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'The Crucifixion', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P055/ (Accessed {{dateAccessed}})
Entry with no author
'The Crucifixion', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P055/ (Accessed {{dateAccessed}})

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