Lucretia

Lucretia

Title

Lucretia

[Friedländer, Rosenberg 1979, 118, No. 240P]

Painting on wood

Medium

Painting on wood

[Exhib. Cat. Düsseldorf 2017, 242, No. 143]

Lucretia points the raised dagger at herself and is about to commit suicide. Despite the fact that this mortal sin was perpetrated by a heathen the subject was very popular at the Wittenberg court and numbered among the so-called 'Roman virtues' (Römertugenden). Lucretia's story is part of the Roman Republic's

Lucretia points the raised dagger at herself and is about to commit suicide. Despite the fact that this mortal sin was perpetrated by a heathen the subject was very popular at the Wittenberg court and numbered among the so-called 'Roman virtues' (Römertugenden). Lucretia's story is part of the Roman Republic's foundation myth and was at the same time a moral lesson: Lucretia who was married virtuously resisted the advances of the Roman King's son Sextus Tarquinius, who then raped her. After the deed Lucretia had her father and husband vow vengeance and then she stabbed herself. The event led to an uprising in which the royal family was overthrown and the Roman Empire became a Republic. The viewer is thus reminded, that only a virtuous and Christian ruler can guarantee the continuity of his kingdom. The dynasty of a tyrant will fall. The manner in which the naked figure of Lucretia is represented and the associated erotic appeal conflicts with the moral exemplum depicted. Cranach plays with these opposites and resolves the conflict in favour of virtue by showing Lucretia at the very moment she slays her coveted body.

[Herrschaft, Exhib. Cat. Düsseldorf 2017, 242, No. 143]

Attributions
Lucas Cranach the Elder
Lucas Cranach the Younger

Attributions

Lucas Cranach the Elder

[Friedländer, Rosenberg 1979, 118, No. 240P]

Lucas Cranach the Younger

'Lucas Cranach the Elder and Lucas Cranach the Younger' [Auct.Cat. Sotheby's New York in the Archive D. Koepplin, 2009]

Production date
1537

Production date

1537

[dated]

Dimensions
Maße Bildträger: 86,9 x 57,9 cm

Dimensions

  • Maße Bildträger: 86,9 x 57,9 cm

  • [Ausschnitt Aukt.Kat. Sotheby's New York im Archiv D. Koepplin, 2009]

  • Dimensions of support: 86.9 x 57.9 cm

  • [Auct.Cat. Sotheby's New York in the Archive D. Koepplin, 2009]

Signature / Dating

Artist's insignia at the lower left: serpent (with dropped wings) and dated '1537'

Signature / Dating

  • Artist's insignia at the lower left: serpent (with dropped wings) and dated '1537'

Owner
Private Collection
Repository
Private Collection
CDA ID
PRIVATE_NONE-P159
FR (1978) Nr.
FR240P
Persistent Link
https://lucascranach.org/en/PRIVATE_NONE-P159/

Provenance

  • 1932 Galerie Schauwecker, Brussels
    [Friedländer, Rosenberg 1979, 118, No. 240P]
  • 28.03.2003 anonymous auction at Galerie Koller, Zurich, No. 3067
  • 29.01.2009 auctioned at Sotheby's, New York, Lot 12
    [Auct.Cat. Sotheby's New York in the Archive D. Koepplin, 2009]

Exhibitions

Düsseldorf 2017, No. 143

Literature

Reference on page Catalogue Number Figure / Plate
Exhib. Cat. Düsseldorf 2017 242 No. 143
EditorGunnar Heydenreich, Daniel Görres, Beat Wismer
TitleLucas Cranach der Ältere. Meister - Marke - Moderne. [anlässlich der Ausstellung "Cranach. Meister - Marke - Moderne", Stiftung Museum Kunstpalast, Düsseldorf, 08. April 2017 - 30. Juli 2017]
Place of PublicationMunich
Year of Publication2017
Friedländer, Rosenberg 1979 118 No. 240P
AuthorMax J. Friedländer, Jakob Rosenberg
EditorG. Schwartz
TitleDie Gemälde von Lucas Cranach
Place of PublicationBasel, Boston, Stuttgart
Year of Publication1979
Friedländer, Rosenberg 1932 198q
AuthorMax J. Friedländer, Jakob Rosenberg
TitleDie Gemälde von Lucas Cranach
Place of PublicationBerlin
Year of Publication1932
Link http://digi.ub.uni-heidelberg.de/diglit/friedlaender1932
  • Lucretia, 1537

Images

Compare images
  • overall
  • irr

Technical studies

2017Technical examination / Scientific analysis

  • Infrared reflectography
  • irr

Underdrawing

DESCRIPTION

Tools/Material:

- dry drawing material, stylus

Type/Ductus:

- economic, freehand underdrawing

- delicate, fine lines

Function:

- roughly to relatively binding for the final painted version; lines delineate the main contours and describe essential details and facial features, no representation of volume

Deviations:

- minor corrections were made to forms during the painting process

INTERPRETATION

Attributions:

- Lucas Cranach or workshop? possibly the Younger?

[Sandner, Smith-Contini, Heydenreich, cda 2018]

  • photographed by Gunnar Heydenreich
  • photographed by Ingo Sandner

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'Lucretia', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P159/ (Accessed {{dateAccessed}})
Entry with no author
'Lucretia', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P159/ (Accessed {{dateAccessed}})

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