The Crucifixion

The Crucifixion

Title

The Crucifixion

[cda 2019]

Painting on wood

Medium

Painting on wood

[cda 2019]

This depiction of the crucifixion shows three crosses, that have been erected in an austere geometrical arrangement on a strip of ground strewn with pebbles. Christ's cross is shown frontally in the centre of the shallow pictorial space and occupies almost the entire height of the picture. The diagonally positioned

This depiction of the crucifixion shows three crosses, that have been erected in an austere geometrical arrangement on a strip of ground strewn with pebbles. Christ's cross is shown frontally in the centre of the shallow pictorial space and occupies almost the entire height of the picture. The diagonally positioned thieves' crosses stand somewhat further back, while the horizontal beams extend to the corners of the image. The transverse sections of the round beams visible at the upper corners of the painting emphasise the constricting stage-like space. There is no middle-ground; the horizon can only be surmised where the light colour merges with the blue-white of a sky that darkens to a black night sky at the top of the image. Only three figures are gathered beneath the cross. St John is shown at the right, while the Virgin stands wringing her hands at the left. Mary Magdalene embraces the shaft of Christ's cross in mourning.

[cda 2019]

Attribution
Copy after Lucas Cranach the Elder

Attribution

Copy after Lucas Cranach the Elder

[handwritten annotation on the reverse of a photograph in the D. Koepplin Archive, 23.11.1981]

Production dates
1700 - 1899
about 1515 - 1525

Production dates

1700 - 1899

[handwritten annotation on the reverse of a photograph in the D. Koepplin Archive, 23.11.1981]

about 1515 - 1525

(?, possibly damaged and later reworked) [cda 2019]

Dimensions
Dimensions of support: 42.5 x 29 cm

Dimensions

  • Dimensions of support: 42.5 x 29 cm

  • [handwritten annotation on the reverse of a photograph in the Archive D. Koepplin, 23.11.1981]

Signature / Dating

none

Inscriptions and Labels

Inscription at the cross: 'INRI'

Inscriptions and Labels

Inscriptions, Badges:

  • Inscription at the cross: 'INRI'

Owner
Private Collection
Repository
Private Collection
CDA ID
PRIVATE_NONE-P304
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/PRIVATE_NONE-P304/

Provenance

  • in the collection of the painter Franz von Stuck
  • in the Heilmann collection
    [handwritten annotation on the reverse of a photograph in the D. Koepplin Archive, 23.11.1981]
  • The Crucifixion, 1700 - 1899

Images

Compare images
  • overall
  • overall
  • overall
  • overall
  • overall
  • irr
  • irr

Technical studies

  • Infrared reflectography
  • irr
  • irr

Underdrawing

DESCRIPTION

Tools/Material:

- fluid, black medium and brush

Type/Ductus:

- freehand underdrawing

- thin lines

Function:

- relatively binding for the final painted version; the lines define the main contours and describe some essential details and the facial features; no representation of forms with hatching strokes

Deviations:

- only very minor corrections were made to forms during the painting process; small changes (e. g. Christ’s feet)

INTERPRETATION

Attribution:

- not possible

Comments:

- after a pre-existing design

[Sandner, Smith-Contini, Heydenreich, cda 2020]

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'The Crucifixion', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P304/ (Accessed {{dateAccessed}})
Entry with no author
'The Crucifixion', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P304/ (Accessed {{dateAccessed}})

Help us to improve the Cranach Digital Archive.

Please contact us, if you have noticed a mistake.