- Signature
- Talbot 1967
- Author, Editor
- Charles Talbot, National Gallery of Art, Washington, D. C.
- Title
- An Interpretation of Two Paintings by Cranach in the Artist's Late Style
- Journal
- Report and Studies in the History of Art
- Place of Publication
- Washington
- Year of Publication
- 1967
- Link
- http://babel.hathitrust.org/cgi/pt?id=mdp.39015017526305;view=1up;seq=11
- Pages
- 67-88
Works discussed in publication
|
Title |
Repository |
Reference on page |
Catalogue Number |
Figure / Plate |
|
|
The Crucifixion with the Converted Centurion |
National Gallery of Art, Washington, D. C. |
68, 71-78, 86, Fn. 15 |
|
Fig. p. 69 |
|
|
The Nymph of the Spring |
National Gallery of Art, Washington, D. C. |
68, 78-85 |
|
Fig. 8 |
|
|
Crucifixion |
Städel Museum Frankfurt a.M. |
72 |
|
|
|
|
The Crucifixion of Christ, the so-called Schottenkreuzigung |
Kunsthistorisches Museum, Vienna |
72-76 |
|
Fig. 5 |
|
|
Reclining nymphe |
Gemäldegalerie Alte Meister, Kassel |
80, 87 |
|
6 |
|
|
Nymph of the Spring |
The Metropolitan Museum of Art, New York |
80, 87, Fn. 28, 29 |
|
|
|
|
Venus |
Städel Museum Frankfurt a.M. |
81 |
|
|
