The Virgin is seated on a bench and occupies the central axis. She inclines her head slightly to the left and looks at the viewer, while the infant Christ stands on a brocade cushion on her lap. She supports him and he puts his arms around her neck. The Virgin's
The Virgin is seated on a bench and occupies the central axis. She inclines her head slightly to the left and looks at the viewer, while the infant Christ stands on a brocade cushion on her lap. She supports him and he puts his arms around her neck. The Virgin's reddish blonde hair cascades in long curls over her shoulders and down her back, leading the viewer's eye to the arrangement of the folds. This consists of a bluish-green undergarment and a red coat with a greenish-orange shimmering lining. Over the bench a trellis extends to a bower that is covered with vines and grapes. A broad mountainous landscape extends behind the Virgin.
[Daniel Görres, cda 2018]
- Attributions
-
Anonymous Master from the Cranach Workshop
Lucas Cranach the Elder
Attributions
Anonymous Master from the Cranach Workshop | [Friedländer, Rosenberg 1979, no. 162B] |
Lucas Cranach the Elder | Ein Zettel an der Rückseite nennt Lukas Cranach als Urheber (a label on the reverse attributes it to Lucas Cranach [...] |
Circle of Lucas Cranach the Elder | Wahrscheinlich ist es eine Wiederholung einer vlämischen Arbeit in der Richtung des Mabuse. (Probably a repetition of a work by a flamish artist like Mabuse.) |
- Production date
- about 1525
Production date
about 1525 | [Friedländer, Rosenberg 1979, no. 162B] |
- Dimensions
- Dimensions of support:
Dimensions
Dimensions of support:
- Signature / Dating
None
- Owner
- Benediktinerstift Melk
- Repository
- Benediktinerstift Melk
- Location
- Heerenberg, 's-
- CDA ID
- AT_BSM_NONE-001
- FR (1978) Nr.
- FR162B
- Persistent Link
- https://lucascranach.org/en/AT_BSM_NONE-001/