Lucretia

Lucretia

Title

Lucretia

[cda 2013]

Painting on wood (beech wood)

Medium

Painting on wood (beech wood)

[Universalmuseum Joanneum, revised 2013]

The painting depicts Lucretia as a standing, half-length nude figure with an overcoat.

Lucretia has inclined her head slightly to the right, whereas her gaze is directed towards the viewer. Her left arm is raised and with her hand she touches her hair. Her right hand is also raised,

The painting depicts Lucretia as a standing, half-length nude figure with an overcoat.

Lucretia has inclined her head slightly to the right, whereas her gaze is directed towards the viewer. Her left arm is raised and with her hand she touches her hair. Her right hand is also raised, and with it she points the dagger almost horizontal between her breasts. Lucretia wears a fur-trimmed overcoat. Beneath this a transparent undergarment is visible. Her blond hair is held back with a black hair band and covered with a transparent veil. She wears numerous pieces of jewelry: two thin chains, a chain necklace, a bracelet and a ring.

The background is dark.

[Herrschaft, Rabensteiner 2013]

According to the legend Lucretia lived in the 6th century BC and was the beautiful and virtuous wife of the roman Collatinus. The roman King's son - Sextus Tarquinius fell in love with her. During a stay in her house Sextus threatened to kill her and shame her honour if she did not surrender to him. After the rape Lucretia had her father and husband vow vengeance and then she stabbed herself. The event led to an uprising in which the royal family was overthrown and the Roman Empire became a Republic.

Depictions of Lucretia who was seen as the epitomy of female virtue, chastity, fidelity and honour enjoyed great popularity, particularly in the 16th century.

[Literature: Bierende 2002, Follak 2002, Livius 1909]

Attributions
Workshop Lucas Cranach the Elder
Lucas Cranach the Younger

Attributions

Workshop Lucas Cranach the Elder

Lucas Cranach the Younger? [cda 2021]

Lucas Cranach the Younger

[cda 2013]

Hans Cranach

[Universalmuseum Joanneum, revised 2014]

Production dates
about 1540
about 1510 - 1537

Production dates

about 1540

[Herrschaft, cda 2013]

about 1510 - 1537

[Felice 1997, 13]

Dimensions
Dimensions of support:

Dimensions

  • Dimensions of support:

  • 71.5 x 47.4 cm

  • Including frame:

  • 92.6 x 68 x 5.5 cm

  • [Universalmuseum Joanneum, revised 2013]

Signature / Dating

Artist's insignia upper left: winged serpent (with dropped wings)

Signature / Dating

  • Artist's insignia upper left: winged serpent (with dropped wings)

Inscriptions and Labels

none reverse: inventory number of the Alte Galerie
[Universalmuseum Joanneum, revised 2013]

Inscriptions and Labels

Inscriptions, Badges:

  • none

Stamps, Seals, Labels:

  • reverse: inventory number of the Alte Galerie

  • [Universalmuseum Joanneum, revised 2013]

Owner
Universalmuseum Joanneum
Repository
Alte Galerie, Schloss Eggenberg, Graz
Location
Graz
CDA ID
AT_UMJ_106
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/AT_UMJ_106/

Provenance

  • 1941 aquired from the Galerie Attems
    [Universalmuseum Joanneum, revised 2013]

Exhibitions

Murau 1995, no. 10.2.3.2

Literature

Reference on page Catalogue Number Figure / Plate
Bierende 2002
AuthorEdgar Bierende
TitleLucas Cranach d.Ä. und der deutsche Humanismus. Tafelmalerei im Kontext von Rhetorik, Chroniken und Fürstenspiegeln
Place of PublicationBerlin
Year of Publication2002
Follak 2002
AuthorJan Follak
TitleLucretia zwischen positiver und negativer Anthropologie: Coluccio Salutatis Declamatio Lucretie und die Menschenbilder im exemplum der Lucretia von der Antike bis in die Neuzeit
Place of PublicationKonstanz
Year of Publication2002
Link http://nbn-resolving.de/urn:nbn:de:bsz:352-opus-9144

Research History / Discussion

The panel belongs to a series of five representations of Lucretia, which were created about 1540/45 and tend to be attributed to Lucas Cranach the Younger. All paintings show Lucretia as a half-length figure wearing a fur-trimmed coat with her left arm raised to her head.

[Herrschaft, CDA 2014]

  • Lucretia, about 1540

Images

Compare images
  • overall
  • detail

Technical studies

Support

- three beech wood planks, support trimmed, two horizontal battens, verso coated (glue / stained)

Ground and Imprimatura

- several layers of chalk-ground

[Universalmuseum Joanneum, revised 2013]

Condition Reports

Date1954

painting layers with craquelure, some fillings and retouchings, varnish discoloured in top area

[Universalmuseum Joanneum, revised 2013]

  • examined by Pichler

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'Lucretia', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/AT_UMJ_106/ (Accessed {{dateAccessed}})
Entry with no author
'Lucretia', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/AT_UMJ_106/ (Accessed {{dateAccessed}})

Help us to improve the Cranach Digital Archive.

Please contact us, if you have noticed a mistake.