The Holy Kinship

The Holy Kinship

Title

The Holy Kinship

[Exhib. Cat. Munich 2011, 142]

Painting on limewood

Medium

Painting on limewood

[Exhib. Cat. Munich 2011, 142]
[Klein, Report 2006]

'The depiction of the Virgin and Child with St Anne has been extended to show the so-called Holy Kindred, the relations of Jesus. The subject is based on the medieval Trinumbium legend, according to which the Virgin's mother Anna was married three times: with Joachim (the Virgin's father), with Cleophas

'The depiction of the Virgin and Child with St Anne has been extended to show the so-called Holy Kindred, the relations of Jesus. The subject is based on the medieval Trinumbium legend, according to which the Virgin's mother Anna was married three times: with Joachim (the Virgin's father), with Cleophas and Salomas, with whom she had Mary Cleophas and Mary Salomas respectively. They are all depicted on the painting together with their husbands Joseph, Alphaeus, Zebedaeus and their respective children, who will also be listed and who in part later became disciples of Christ: James the Less, Joseph Justus (or Barnabas), Simon Zelotes and Judas Thaddaeus (Mary Cleophas, left), James and John the Evangelist (Mary Salome, right).

The architecture is neither topographically nor functionally convincing, but conceived rather as a decorative element. There is an area separated by a wall in the foreground, which is occupied by the women and children, whereas the men - with the exception of Zebedaeus, who is reading - look on from outside. This area is set before an open hall with round arches. The spandrels are decorated with medallions showing unidentified portraits in profile. [...] At the top edge of the painting there is a four-span shield containing three coats-of-arms, which Albrecht of Brandenburg often had incorporated into other paintings.'

[Exhib. Cat. Aschaffenburg 2007, 269]

Attributions
Anonymous Master from the Cranach Workshop
Master of the Mass of St Gregory

Attributions

Anonymous Master from the Cranach Workshop

[Exhib. Cat. Munich 2011, 142]

Master of the Mass of St Gregory

[Friedländer, Rosenberg 1979, No. Sup 6]

Simon Franck

[Tacke 1992, 33, 41-169]

Heinrich Vogtherr

'[...] im Katalog 1932 [...]'
[Exhib. Cat. Aschaffenburg 2007, 269]

Hans Cranach

[Flechsig 1900 A, 283]

Nikolaus Glockendon

'Im Dillis-Verzeichnis von 1820'
[Exhib. Cat. Aschaffenburg 2007, 269]

Matthias Grünewald

"[...] in the inventories, lists and catalogues of the 19th century recorded as by Grünewald, since the end of the 19th century identified as Pseudo-Grünewald [...]"
[Exhib. Cat. Aschaffenburg 2007, 269]

Production date
about 1520 - 1525

Production date

about 1520 - 1525

[Exhib. Cat. Munich 2011, 142]

Dimensions
Dimensions of support: 83.4 x 65.5 cm

Dimensions

  • Dimensions of support: 83.4 x 65.5 cm

  • [Exhib. Cat. Munich 2011, 142]

Owner
Bayerische Staatsgemäldesammlungen
Repository
Staatsgalerie im Schloss Johannisburg, Aschaffenburg
Location
Aschaffenburg
CDA ID
DE_BStGS_6273
FR (1978) Nr.
FRSup006
Persistent Link
https://lucascranach.org/en/DE_BStGS_6273/

Provenance

  • until 1541 in the Collegial Church, Halle
    'The painting, which is described as an 'Annentafel' (Anna panel) is recorded on the same pillar of the south side nave as the depiction of 'The Martyrdom of St Erasmus' by Heinrich Vogtherr (beautifully painted and gilded the St Anna panel, Inventory 1525).' [1]
  • until 1802/1803 in the Collegial Church, Aschaffenburg[1]
    [1] [Exhib. Cat Aschaffenburg 2007, 269]

[Exhib. Cat. Munich 2011, 142]

Exhibitions

Halle 2006, no. 70

Literature

Reference on page Catalogue Number Figure / Plate
Heydenreich 2015 120, Fn. 34
AuthorGunnar Heydenreich
TitleHans Cranach. Auf der Suche nach seinem verlorenen Oeuvre
Publicationin Elke A. Werner, Anne Eusterschulte, Gunnar Heydenreich, eds., Lucas Cranach der Jüngere und die Reformation der Bilder
Place of PublicationMunich
Year of Publication2015
Link https://lucascranach.org/application/files/5415/6232/3883/Heydenreich_2015_-_Hans_Cranach.pdf
Pages116 -127
Exhib. Cat. Munich 2011 142
AuthorMartin Schawe
EditorBayerische Staatsgemäldesammlungen
TitleCranach in Bayern
Place of PublicationMunich
Year of Publication2011
Exhib. Cat. Aschaffenburg 2007 269 No. 12 Fig. p. 268
EditorGerhard Ermischer, Andreas Tacke
TitleCranach im Exil. Aschaffenburg um 1540. Zuflucht - Schatzkammer - Residenz. Ausstellungskatalog Schloss Johannisburg und Kunsthalle Jesuitenkirche
Place of PublicationRegensburg
Year of Publication2007
Frankhäuser 2007 205 Fig. 8
AuthorGernot Frankhäuser
TitleWie Dalberg Grünewald suchte und Cranach fand. Zur Beschäftigung mit altdeutscher Malerei in Mainz und Aschaffenburg um 1800.
Publicationin Gerhard Ermischer, Andreas Tacke, eds., Cranach im Exil. Aschaffenburg um 1540. Zuflucht, Schatzkammer, Residenz, Exhib. Cat. Aschaffenburg
Place of PublicationRegensburg
Year of Publication2007
Pages197-213
Schawe 2007 A 215, 221, 223 Fig. 1
AuthorMartin Schawe
TitleCranach in Aschaffenburg. 1814 bis heute
Publicationin Gerhard Ermischer, Andreas Tacke, ed., Cranach im Exil- Aschafffenburg um 1540. Zuflucht, Schatzkammer, Residenz
Place of PublicationRegensburg
Year of Publication2007
Pages215-225
Schawe 2007 B 236, 238-239 Fig. 10
AuthorMartin Schawe
TitleVerborgene Meisterwerke. Die Unterzeichnungen auf den Cranach-Tafeln
Publicationin Gerhard Ermischer, Andreas Tacke, eds., Cranach im Exil - Aschafffenburg um 1540. Zuflucht, Schatzkammer, Residenz, Exhib. Cat. Aschaffenburg
Place of PublicationRegensburg
Year of Publication2007
Pages235-241
Exhib. Cat. Halle 2006 154, 157 070 Pl. p. 156
EditorThomas Schauerte
TitleDer Kardinal Albrecht von Brandenburg. Renaissancefürst und Mäzen. Bd. 1: Katalog
Place of PublicationRegensburg
Year of Publication2006
Exhib. Cat. Aschaffenburg 2002 No. 162
EditorRainhard Riepertinger, Evamaria Brockhoff, Katharina Heinemann, Jutta Schumann
TitleDas Rätsel Grünewald [Schloss Johannisburg, Aschaffenburg]
Place of PublicationAugsburg
Year of Publication2002
Tacke 1992 33, 41-169
AuthorAndreas Tacke
TitleDer katholische Cranach. Zu zwei Großaufträgen von Lucas Cranach d. Ä., Simon Franck und der Cranach-Werkstatt (1520 - 1540)
SeriesBerliner Schriften zur Kunst
Volume2
Place of PublicationMainz
Year of Publication1992
Friedländer, Rosenberg 1979 No. Sup 6
AuthorMax J. Friedländer, Jakob Rosenberg
EditorG. Schwartz
TitleDie Gemälde von Lucas Cranach
Place of PublicationBasel, Boston, Stuttgart
Year of Publication1979
Cat. Aschaffenburg 1975 63f.
Authorn. a.
TitleBayerische Staatsgemäldesammlungen, Galerie Aschaffenburg. Katalog
Place of PublicationMunich
Year of Publication1975
Steinmann 1968 A 73, 86
AuthorUlrich Steinmann
TitleDer Bilderschmuck der Stiftskirche zu Halle. Cranachs Passionszyklus und Grünewalds Erasmus-Mauritius-Tafel
Volume11
JournalForschungen und Berichte. Staatliche Museen zu Berlin
Place of PublicationBerlin
Year of Publication1968
Pages69 - 104
  • The Holy Kinship, about 1520 - 1525

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Technical studies

06. 2012Technical examination / Scientific analysis

  • Infrared reflectography
  • irr
  • irr

Underdrawing

DESCRIPTION

Tools/Materials:

- black fluid medium with a brush

Type/Ductus:

- detailed and freehand underdrawing

- thin to broader lines; frequently very short, occasional hatching-strokes

Function:

- relatively binding for the final painted version; lines delineate contours and describe the essential details and the facial features; occasional representation of volume in the draperies with hatching-strokes

Deviations:

- minor alterations made during the painting process to clearly define form; small changes (e.g. in the background)

INTERPRETATION

Attribution:

- long-term assistant in the Cranach workshop (Master of the Mass of St Gregory)

[Smith, Sandner, Heydenreich, cda 2016]

  • photographed by Gunnar Heydenreich
  • photographed by Ingo Sandner

2007Technical examination / Scientific analysis

  • Infrared reflectography
  • irr

Underdrawing

'The underdrawing on 'The Holy Kinship' is in accordance with the smaller format more delicate in execution, but stylistically similar [to the underdrawing found on the panels of the Magdalene Altarpiece]. We encounter again the relatively broad brush, employed to define the folds of the draperies. Details of the physiognomy were executed with a finer brush and described with strong, black calligraphic lines, which were in part reinforced.'

[Schawe 2007 B, 238]

30.03.2006Scientific analysis

  • Identification of wood species / Dendrochronology

Support

Identification of wood species: limewood (Tilia sp.)

  • analysed by Peter Klein

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'The Holy Kinship', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/DE_BStGS_6273/ (Accessed {{dateAccessed}})
Entry with no author
'The Holy Kinship', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/DE_BStGS_6273/ (Accessed {{dateAccessed}})

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