- Attributions
-
Workshop Lucas Cranach the Elder
Lucas Cranach the Elder
Attributions
Workshop Lucas Cranach the Elder | [Cat. Kassel 1997, 59] |
Lucas Cranach the Elder | [Exhib. Cat. Gotha 2015, No. 4] [Friedländer, Rosenberg 1979, No. 31] |
Hans Baldung Grien | [Cat. Kassel 1819, 13] |
- Production dates
- about 1510
about 1504
Production dates
about 1510 | [Cat. Kassel 1997, 59] |
about 1504 | [Flechsig 1900 B, 81] |
about 1510 - 1515 | [Exhib. Cat. Gotha 2015, No. 4] |
- Dimensions
- Dimensions of support: 74.3 x 27.3 x 0.5-0.7 cm (bottom slightly trimmed)
Dimensions
Dimensions of support: 74.3 x 27.3 x 0.5-0.7 cm (bottom slightly trimmed)
[Cat. Kassel 1997, 59]
- Signature / Dating
None
- Inscriptions and Labels
Recto of the panel: - at the bottom left:
in red paint '1911'Verso of the panel:
- two labels from the …
Inscriptions and Labels
Stamps, Seals, Labels:
Recto of the panel: - at the bottom left:
in red paint '1911'
Verso of the panel:
- two labels from the Staatl. Museen Kassel
- illegible inscription in pencil
- in coloured pencil 'pr. 13'
- in pencil 'R'
[Cat. Kassel 1997, 59]
- Owner
- Museumslandschaft Hessen Kassel
- Repository
- Gemäldegalerie Alte Meister, Kassel
- Location
- Kassel
- CDA ID
- DE_MHK_GK12
- FR (1978) Nr.
- FR031
- Persistent Link
- https://lucascranach.org/en/DE_MHK_GK12/
- two labels from the …
Provenance
- 1827 aquired at the auction of the Campe Collection
- then it was attached to the All Saints Altar by Jacob Cornelisz van Oostsanen (Gemäldegalerie Alte Meister Kassel, GK 30) as an exterior wing panel.
[Cat. Kassel 1997, 59]
Exhibitions
Basel 1974, no. 594a
Kassel 2015, no. 4
Literature
Reference on page | Catalogue Number | Figure / Plate | |||||||||||||
Cat. Coburg 2018 | 34 | under no. 1 | |||||||||||||
|
|||||||||||||||
Exhib. Cat. Gotha, Kassel 2015 | 100, 101 | 4 | Pl. p. 101; Fig. 1 | ||||||||||||
|
|||||||||||||||
Heydenreich 2007 A | 42, 102, 124, 206, 345, 394 | ||||||||||||||
|
|||||||||||||||
Exhib. Cat. Chemnitz 2005 | 391, 393 Fn. 6 | under No. 30 | |||||||||||||
|
|||||||||||||||
Exhib. Cat. Prague 2005 | 46 (English version 22) | under no. 1 | |||||||||||||
|
|||||||||||||||
Cat. Kassel 1997 | 59-64 | ||||||||||||||
|
|||||||||||||||
Cat. Kassel 1996 | 88 | ||||||||||||||
|
|||||||||||||||
Cat. Kassel 1982 | 16-17, 56, 62 | 86 | |||||||||||||
|
|||||||||||||||
Friedländer, Rosenberg 1979 | 031 | ||||||||||||||
|
|||||||||||||||
Levenson 1978 | 221 | ||||||||||||||
|
|||||||||||||||
Exhib. Cat. Basel 1974/1976 | 682 | No. 594a | |||||||||||||
|
|||||||||||||||
Cat. Kassel 1969 | 56 | ||||||||||||||
|
|||||||||||||||
Cat. Kassel 1958 | 47 | 12 | |||||||||||||
|
|||||||||||||||
Friedländer, Rosenberg 1932 | 030 | ||||||||||||||
|
|||||||||||||||
Cat. Kassel 1929 | 18, 99 | 12 | |||||||||||||
|
|||||||||||||||
Cat. Kassel 1913 | 13, 58 | 12 | |||||||||||||
|
|||||||||||||||
Michaelson 1902 | 34-35 | ||||||||||||||
|
|||||||||||||||
Flechsig 1900 B | 81, 85, 88, 130 | ||||||||||||||
|
|||||||||||||||
Cat. Kassel 1888 | 6 | 8 | |||||||||||||
|
|||||||||||||||
Cat. Kassel 1877 | 7 | 58 | |||||||||||||
|
|||||||||||||||
Cat. Kassel 1845 | 9 | 58 | |||||||||||||
|
|||||||||||||||
Cat. Kassel 1819 | 13 | 58 | |||||||||||||
|
Research History / Discussion
The central part of the altar was probably a Virgin and Child, represented either as a sculpture in a shrine or as a painting. A corresponding example of this iconographical constellation within Cranach's work can be found in the depiction of the Virgin on the central panel in Tuscon, Arizona University of Arizona Gallery, which is flanked by Catharine on the left wing panel and Barbara on the right one (Brne, Moravská gálerie v Brne; Friedländer/Rosenberg 1979, No. 46, 47). A reconstruction reveals the central panel must have been c. 74 cm high and c. 46 cm wide. These dimensions almost correspond with those of the Virgin by Cranach in the Fundación Colección Thyssen-Bornemisza, Madrid (71.5 x 44.2 cm; Friedländer/Rosenberg 1979, No. 30). In addition the Virgin on the central panel was - like the female saints on the wing panels - probably represented against a flat background without landscape details.
[Cat. Kassel 1997, 63-64]
The infrared reflectogram of the reverse of the panel depicting St Catharine reveals that the figure of the Virgin from an Annunciation scene was originally painted here. On the basis of deduction it may be assumed that the figure of an angel must have adorned the reverse of the other panel. [1] (compare figs. 1 and 2) A panel depicting the angel Gabriel in Dortmund is similar in format and date (about 1515). [2] The less usual composition of the angel appearing to the Virgin from the right also appears in a similar manner on the the external wing panels of an Altarpiece by the Cranach workshop in the village church of Klieken in Sachsen-Anhalt, which is dated about 1515.[3]
[1] Now this panel is only 0.2 cm thick as the painted reverse was separated at some stage before the Campe collection was auctioned. The panel depicting St Catharine is 0.5-0.7 cm thick [Cat. Kassel 1997, 59]
[2] Oil on wood, 69 x 27 cm, Dortmund, Museum für Kunst und Kulturgeschichte (Loan from the Federal Republic of Germany)
[3] Cat. Halle 2009, 12-15, the central element consists of a sculptural representation of the Virgin and two assistants.
[Lange, Exhib. Cat. Gotha, Kassel 2015, 100]
Particular striking on the panels in Kassel is the style of the female saints' haloes, which is very rare in Cranach's oeuvre and suggests a specific request from the commissioner. A further panel depicting the Virgin and the infant St John is similar with regards the dimensions and the rendition of the haloes. [1] This panel is dated about 1512, so that - if they should be related - would require a slightly later dating of the two wing panels. However large discrepancies with regards the painterly quality suggest that the central panel may have been a copy.
[1] oil on wood, 75.9 x 59.4 cm, about 1512, private collection, Exhib. Cat. Frankfurt 2007, No. 17
[Lange, Exhib. Cat. Gotha, Kassel 2015, 100]