The Crucifixion with the Converted Centurion

The Crucifixion with the Converted Centurion

Title

The Crucifixion with the Converted Centurion

[cda 2020]

Painting on wood

In 'The Crucifixion with the Converted Centurion', Lucas Cranach the Elder chose to portray a scene of religious redemption. The crucified Christ, silhouetted against a darkened and troubled sky, is at the point of death; his last words from the cross are inscribed above him in German: 'VATER IN DEIN

In 'The Crucifixion with the Converted Centurion', Lucas Cranach the Elder chose to portray a scene of religious redemption. The crucified Christ, silhouetted against a darkened and troubled sky, is at the point of death; his last words from the cross are inscribed above him in German: 'VATER IN DEIN HENDT BEFIL ICH MEIN GAIST' (Father, into thy hand I commend my spirit [Luke 23:46]). At that moment, a Roman centurion, astride a white charger, recognizes Christ's divinity and pronounces: 'WARLICH DISER MENSCH IST GOTES SVN GEWEST' (Truly, this man was the Son of God [Mark 15:39]). The theme of 'The Crucifixion with the Converted Centurion' especially appealed to Protestants because it clearly illustrated the doctrine of salvation by faith alone, the central precept of their creed. The centurion, clothed in contemporary armor, symbolized the 'Knight of Christ' who steadfastly defends his new-won belief despite all adversity.

[cda 2020]

Attribution
Lucas Cranach the Elder
Production date
1538

Production date

1538

[dated]

Dimensions
Dimensions of support: 85 x 56 cmaccessed 16.04.2020]

Dimensions

Signature / Dating

Artist's insignia at the bottom right on a stone: a serpent with dropped wings facing left and dated '1538'; in black paint

Signature / Dating

  • Artist's insignia at the bottom right on a stone: a serpent with dropped wings facing left and dated '1538'; in black paint

Inscriptions and Labels
  • at the top edge: 'VATER IN DEIN HENDT BEFIL ICH MEIN GAIST' (Father, into thy hand I commend …

Inscriptions and Labels

Inscriptions, Badges:

    • at the top edge:
  • 'VATER IN DEIN HENDT BEFIL ICH MEIN GAIST' (Father, into thy hand I commend my spirit [Luke 23:46])

    • at the height of the Roman centurion's mouth:
  • 'WARLICH DISER MENSCH IST GOTES SVN GEWEST' (Truly, this man was the Son of God [Mark 15:39])

    • above the cross:
  • 'I.N.R.I'

Owner
Museo de Bellas Artes, Sevilla
Repository
Museo de Bellas Artes, Sevilla
Location
Seville
CDA ID
ES_MBAS_CE0028P
FR (1978) Nr.
FR378A
Persistent Link
https://lucascranach.org/en/ES_MBAS_CE0028P/

Provenance

  • from 1804 in the Venerable y Santa Escuela de la Natividad de Nuestro Señor Jesucristo, Sevilla
  • 1971 donated to the Museo de Bellas Artes, Sevilla
    [MdBA Sevilla 1971, no. 32]

Literature

Reference on page Catalogue Number Figure / Plate
Cat. Sevilla 1993 103
AuthorEnrique Valdivielso González
TitleLa pintura en el Museo de Bellas Artes de Sevilla
Place of PublicationSevilla
Year of Publication1993
Cat. Sevilla 1990 40
AuthorRocío Izquierdo, María del Valme Muñoz Rubio
EditorMuseo de Bellas Artes, Sevilla
TitleMuseo de Bellas Artes. Inventario de pinturas
Place of PublicationSevilla
Year of Publication1990
Friedländer, Rosenberg 1979 378A
AuthorMax J. Friedländer, Jakob Rosenberg
EditorG. Schwartz
TitleDie Gemälde von Lucas Cranach
Place of PublicationBasel, Boston, Stuttgart
Year of Publication1979
Exhib. Cat. Basel 1974/1976 485, 486 334 Fig. 267
AuthorDieter Koepplin, Tilman Falk
TitleLukas Cranach. Gemälde, Zeichnungen und Druckgraphik
Volume1, 2
Place of PublicationBasel, Stuttgart
Year of Publication1974
Link http://nbn-resolving.de/urn:nbn:de:bsz:16-diglit-104522
Angulo Iñiguez 1972 1-7
AuthorDiego Angulo Iñiguez
TitleLucas Cranach. El Calvario de 1538 del Museo de Sevilla.
JournalArchivo Español de Arte
Issue45 (1972)
Year of Publication1972
Pages1-8
MdBA 1971 32
AuthorMuseo de Bellas Artes, Sevilla
TitleMuseo de Bellas artes de Sevilla. Nuevas Adquisiciones y Restauraciones
Place of PublicationSevilla
Year of Publication1971
  • The Crucifixion with the Converted Centurion, 1538

Images

Compare images
  • overall

Conservation History

Date1971

Restored before 1971 in the Prado, Madrid

[MdBA Sevilla 1971, no. 32]

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'The Crucifixion with the Converted Centurion', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/ES_MBAS_CE0028P/ (Accessed {{dateAccessed}})
Entry with no author
'The Crucifixion with the Converted Centurion', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/ES_MBAS_CE0028P/ (Accessed {{dateAccessed}})

Help us to improve the Cranach Digital Archive.

Please contact us, if you have noticed a mistake.