The Nativity

The Nativity

Title

The Nativity

[cda 2020]

Painting on limewood

Medium

Painting on limewood
Painting on oak wood

[Exhib. Cat. Chemnitz 2005, 250]

This representation of the Nativity essentially draws on two sources. First and foremost is a passage in the Gospel of Luke, which recounts Joseph's journey to Bethlehem with his pregnant wife for a population census. According to the text it was there that Mary gave birth to Jesus in a

This representation of the Nativity essentially draws on two sources. First and foremost is a passage in the Gospel of Luke, which recounts Joseph's journey to Bethlehem with his pregnant wife for a population census. According to the text it was there that Mary gave birth to Jesus in a stable. They were then visited by the shepherds, who spread the good news. The second source is a description of a vision by the 14th century mystic, St Bridget of Sweden. It refers to a divine light that radiated from the naked infant Christ’s body at his birth, brighter than any candle. The choice of a nocturnal setting afforded the opportunity to visualize this radiant light. Christ is shown lying in a crib surrounded by a throng of cherubs. Mary kneels in prayer at the left, enveloped in a dark blue cloak, which she wears over a red undergarment. Her hair, worn loose, falls over her shoulders and a halo with small rays frames her head. She gazes at the child with an expression of humility and motherly love. Joseph stands behind the crib dressed in brown. He has lowered his head and holds a candle in his left hand. This casts a beam to the right where the ox and ass crouch directly beside the child. The shepherds are depicted above them behind a low stone wall and appear to have just arrived. At the left the scene of the annunciation is visible on a hill in the background. This scene precedes the central one; the shepherds can be clearly identified among the herd of sheep.

Two coats of arms are painted on the reverse: on the right that of the Electorate of Saxony under Friedrich the Wise (1463-1525) and Johann the Steadfast (1468-1532) and on the left that of the Duchy of Braunschweig-Lüneburg.

[cda 2020]

Attributions
Copy after Lucas Cranach the Elder
Follower of Lucas Cranach the Elder

Attributions

Copy after Lucas Cranach the Elder

[D. Koepplin; handwritten on a page from an auction catalogue, Neumeister, Munich, 20.09.1989, lot 411; Koepplin Archive] [Exhib. Cat. Chemnitz 2005, 250]

Follower of Lucas Cranach the Elder

[A page from an auction catalogue, Neumeister, Munich, 20.09.1989, lot 411; Koepplin Archive]

Circle of Lucas Cranach the Elder
Workshop Lucas Cranach the Elder

[L. Baldass, expertise, 23.03.1922; Koepplin Archive]

Production dates
about 1520 - 1525
1528

Production dates

about 1520 - 1525
1528

[L. Baldass, expertise, 23.03.1922; Koepplin Archive]

Dimensions
Dimensions of support: 33.8 x 24.8 cm

Dimensions

Signature / Dating

Artist's insignia at the bottom left: serpent with elevated wings, facing left; in yellow paint (probably not genuine)

Signature / Dating

  • Artist's insignia at the bottom left: serpent with elevated wings, facing left; in yellow paint (probably not genuine)

Owner
Private Collection
Repository
Private Collection
CDA ID
PRIVATE_NONE-P473
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/PRIVATE_NONE-P473/

Provenance

  • private collection, Austria
    [Letter from the owner to D. Koepplin, 16.09.1987; Koepplin Archive]
  • auction Neumeister, Munich, 20.09.1989, Sale 252, lot 411
    [Page from an auction catalogue, Neumeister, Munich, 20.09.1989; Koepplin Archive]
  • private collection, Switzerland
  • auction Koller, Zürich, 31.03.2017, lot 3016
    [Koller online database, accessed 14.10.2020]

Literature

Reference on page Catalogue Number Figure / Plate
Exhib. Cat. Chemnitz 2005 250 008 (under) Fig. 120
EditorHarald Marx, Karin Kolb, Ingrid Mössinger
TitleCranach Anlässlich der Ausstellung Cranach vom 13. November 2005 bis 12. März 2006 in den Kunstsammlungen Chemnitz. Eine Ausstellung in Kooperation mit der Gemäldegalerie Alte Meister der Staatlichen Kunstsammlungen Dresden
Place of PublicationCologne
Year of Publication2005

Research History / Discussion

Numerous sources suggest this painting may be a copy after a version in Dresden [DE_SKD_GG1907A]. See [Exhib. Cat. Chemnitz 2005, 250] and [D. Koepplin, handwritten on a cutting from an auction catalogue, Neumeister, Munich, 20.09.1989; Koepplin Archive].

[cda 2020]

  • The Nativity, about 1520 - 1525

Images

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Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'The Nativity', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P473/ (Accessed {{dateAccessed}})
Entry with no author
'The Nativity', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P473/ (Accessed {{dateAccessed}})

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