An Ill-matched Pair

An Ill-matched Pair

Title

An Ill-matched Pair

[cda 2022]

Painting on wood

Medium

Painting on wood

[Blumenroth, Wu, Heydenreich, unpublished examination report, 22.02.2022]

An old man laughs as he puts a ring on a young girl's finger, she in turn places her right arm around his neck. This depiction of the scene is a copy after a work belonging to the so-called 'i' type, illustrating the subject of the 'Ill-matched Pair' [see

An old man laughs as he puts a ring on a young girl's finger, she in turn places her right arm around his neck. This depiction of the scene is a copy after a work belonging to the so-called 'i' type, illustrating the subject of the 'Ill-matched Pair' [see FR282-FR287].

[cda 2022]

Attribution
Copy after Lucas Cranach the Elder

Attribution

Copy after Lucas Cranach the Elder

[Blumenroth, Wu, Heydenreich, unpublished examination report, 22.02.2022]

Production date
about 1530 - 1750

Production date

about 1530 - 1750

[Blumenroth, Wu, Heydenreich, unpublished examination report, 22.02.2022]

Dimensions
Dimensions of support: 21.3 x 16.7 x 0.7 cm

Dimensions

  • Dimensions of support: 21.3 x 16.7 x 0.7 cm

  • [Blumenroth, Wu, Heydenreich, unpublished examination report, 22.02.2022]

Signature / Dating

none

Inscriptions and Labels

none Reverse of the panel:

  • two labels, each inscribed with '6972'
  • circular stamp
  • at the top edge: '5[?]4'
    [Blumenroth, Wu, …

Inscriptions and Labels

Inscriptions, Badges:

  • none

Stamps, Seals, Labels:

  • Reverse of the panel:

    • two labels, each inscribed with '6972'
    • circular stamp
    • at the top edge: '5[?]4'
  • [Blumenroth, Wu, Heydenreich, unpublished examination report, 22.02.2022]

Owner
Private Collection
Repository
Private Collection
CDA ID
PRIVATE_NONE-P573
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/PRIVATE_NONE-P573/

Provenance

  • private collection, Vienna
    [Blumenroth, Wu, Heydenreich, unpublished examination report, 22.02.2022]

Research History / Discussion

According to Blumenroth, Wu and Heydenreich various aspects of the support and the painting technique diverge considerably from those characteristic of other works produced by Cranach or his workshop between 1530-1540. They consider this panel to be a copy created outside the Cranach workshop, stating that certain details are similar to another copy sold at Sotheby’s in 2013 as ‘Manner of Lucas Cranach’ [PRIVATE_NONE-P317]

[Blumenroth, Wu, Heydenreich, unpublished examination report, 22.02.2022]

Some examples of other versions of the same composition attributed to Cranach or his workshop: [AT_KHM_GG895] ; [PRIVATE_NONE-P207] ; [PRIVATE_NONE-P245]

[Blumenroth, Wu, Heydenreich, unpublished examination report, 22.02.2022]

  • An Ill-matched Pair, about 1530 - 1750

Images

Compare images
  • overall
  • overall
  • reverse
  • irr
  • uv_light
  • detail
  • detail

Technical studies

22.02.2022Technical examination / Scientific analysis

  • Infrared reflectography
  • X-radiography
  • Stereomicroscopy
  • Instrumental material analysis
  • UV-light photography

Support

The following methods were employed: examination under the stereomicroscope, X RF (Niton XLt), UV-light, x-radiography (Oehm u. Rehbein, Leonardo/ Varex-Perkin Elmer XRPad2 4336) and infrared reflectography (Osiris 900 – 1700 nm)

The results of a technical exammination from September 2021 were also consulted: Prof. Dr. Manfred Schreiner, Untersuchungsbericht. Fotografische Dokumentation und naturwissenschaftliche Untersuchungen an dem Gemälde „Das ungleiche Paar" von Lucas Cranach d. Ä., (1472 – 1553), Öl auf Holz, Wien, September 2021.

Support:

A softwood panel (21.3 x 16.7 x 0.7 cm) with vertical grain orientation. The reverse was smoothed with a claw chisel and also exhibits numerous indentations at regular intervals along the edges. These may be from the original fixtures used to fit the panel in its frame.

Ground and Imprimatura

A thin whitish/pale grey ground extends to the edge of the panel. A barbe is not visible. On all four sides the ground application has partially extended over the edge, suggesting the panel was not framed when the ground was applied, and that its size has not been altered. The streaky application of the ground is visible in the x-radiograph.

Underdrawing

An underdrawing is not readily visible in the infrared reflectogram.

Paint Layers and Gilding

The following elements were detected employing XRF and in combination with their optical properties the following pigments were identified:

Flesh paint: Pb, Ca, Fe (Zn?)

Pb: lead white; Ca: chalk/gypsum (?); Fe: iron oxide/ochre (?)

Yellow hair: Pb, Fe, Ca, Mn, Sn

Pb: lead white; Pb / Sn: lead tin yellow; Fe/ Mn: iron oxide/ochre (?); Ca: chalk/gypsum (?)

Red: Pb, Ca, Hg, Fe (Mn)

Pb: lead white; Ca: chalk/gypsum (?); Hg: vermilion; Fe: iron oxide/ochre (?)

White: Pb, Ca

Pb: lead white; Ca: chalk/gypsum (?)

Yellow/red ring: Pb, Ca, Fe, Sn (Mn)

Pb: lead white; Pb/ Sn: lead tin yellow; Ca: chalk/gypsum (?); Fe/ Mn: iron oxide/ochre (?)

Grey ground: Pb, Ca, Fe, Mn, (Cu)

Pb: lead white; Ca: chalk/gypsum (?); Fe/ Mn: iron oxide/ochre (?); Cu: siccative/ pigment, retouching (?)

Black retouching: Pb, Ca, Cu, Fe

Pb: lead white; Ca: chalk/gypsum (?); Fe/Mn: iron oxide/ochre (?); Cu: siccative, pigment, retouching (?)

The following pigments were identified in the paint layers: lead white, lead tin yellow, vermilion, and iron oxide (red iron oxide and/or brown ochre). In addition small quantities of copper were also detected, possibly as an element in a retouching.

The x-radiograph shows that the paint was applied in thin layers in discrete areas. No major alterations occurred during the painting process: The faces were modulated with a pale red admixture (lead white, red iron oxide) and brownish shadows, while taking advantage of the pale grey ground. The fingers and eyes seem to lack detail. The folds of the woman's red velvet dress were painted in vermilion over a dark red underpaint and then modulated with a red lake glaze. The man's white collar, the fur and the jewellery were added with a fine pointed brush and relatively dry paint.

[Blumenroth, Wu, Heydenreich, unpublished examination report, 22.02.2022]

Condition Reports

Date22.02.2022

The paint layers are in a relatively stable condition; there is a degree of abrasion and there are some small losses; overpaint in the faces is visible in UV-light; there are white inclusions over the entire surface of the paint layer, which could be so-called protrusions caused by the saponification of lead white.

[Blumenroth, Wu, Heydenreich, unpublished examination report, 22.02.2022]

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'An Ill-matched Pair', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P573/ (Accessed {{dateAccessed}})
Entry with no author
'An Ill-matched Pair', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P573/ (Accessed {{dateAccessed}})

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