George the Pious, Margrave of Brandenburg

George the Pious, Margrave of Brandenburg

Titles

George the Pious, Margrave of Brandenburg

[Exhib. Cat. Moscow 2016, no. 38]

George the Pious, Margrave of Brandenburg-Ansbach

[cda 2021]

Painting on wood

Medium

Painting on wood

[cda 2021]

Painting on pear or beech wood

[Schuttwolf 2011, 90, no. 265]

The painting shows a half-length portrait of Georg the Pious, Margrave of Brandenburg against a neutral blue background, facing to his left. He is wearing a fur cloak over a black tunic. Two linked chains hang around his neck. His hands are folded in front of him and the index

The painting shows a half-length portrait of Georg the Pious, Margrave of Brandenburg against a neutral blue background, facing to his left. He is wearing a fur cloak over a black tunic. Two linked chains hang around his neck. His hands are folded in front of him and the index finger of his right hand prominently displays a ring.

[cda 2021]

Attribution
Master I.S.

Attribution

Master I.S.

[Exhib. Cat. Moscow 2016, no. 38] [Exhib. Cat. St Petersburg 2016, no. 37] [Schuttwolf 2011, 90, no. 265]

Production dates
about 1560
1540 - 1570

Production dates

about 1560

[Teget-Welz 2018, 222, 225]

1540 - 1570

Second third of the 16th century [Exhib. Cat. St Petersburg 2016, 180, no. 37] [Exhib. Cat. Moscow 2016, 148]

Dimensions
Dimensions of support: 51 x 37 cm

Dimensions

  • Dimensions of support: 51 x 37 cm

  • [Exhib. Cat. Moscow 2016, no. 38]

  • Dimensions of support: 47 x 34 cm

  • [Schuttwolf 2011, 90, no. 265]

Signature / Dating

Artist's monogram above the sitter's right shoulder: 'IS' (linked)

Signature / Dating

  • Artist's monogram above the sitter's right shoulder: 'IS' (linked)

Inscriptions and Labels
  • top right corner: 'GEORIVS MARCKG // BRANDEBVRGENSIS'

Inscriptions and Labels

Inscriptions, Badges:

    • top right corner:

  • 'GEORIVS MARCKG // BRANDEBVRGENSIS'

Owner
The Pushkin State Museum of Fine Arts, Moscow
Repository
The Pushkin State Museum of Fine Arts, Moscow
Location
Moscow
CDA ID
RU_SMBKPM_929
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/RU_SMBKPM_929/

Provenance

  • recorded in the inventory of the collection in Gotha from 1644, fol. 1, no. 9
  • recorded in 1890 in Aldenhoven's catalogue of the Herzoglichen Gemäldegalerie zu Gotha, no. 385 'Georgius Marchio Brandenburgensis (gest. 1543)'
  • listed as still in the museum, Gotha catalogue 1943, p. 269
  • Verlustdokumentation Neumeister
    [Schuttwolf 2011, 90, no. 265]
  • Puschkin-Museum Moscow from about 1946
    [Exhib. Cat. Moscow 2016, 149, nos. 38-46]

Exhibitions

St Petersburg 2016, no. 37
Moscow 2016, no. 38

Literature

Reference on page Catalogue Number Figure / Plate
Cat. Coburg 2018 222 Fig. 22
AuthorKlaus Weschenfelder
TitleCranach in Coburg. Gemälde von Lucas Cranach d.Ä., Lucas Cranach d.J., der Werkstatt und des Umkreises in den Kunstsammlungen der Veste Coburg
Place of PublicationRegensburg
Year of Publication2018
Show Literature
Teget-Welz 2018
AuthorManuel Teget-Welz
TitleVon Gotha in die Ganze Welt. Die Fürstenserie des Monogrammisten IS
Publicationin Klaus Weschenfelder, ed., Cranach in Coburg. Gemälde von Lucas Cranach d.Ä., Lucas Cranach d.J., der Werkstatt und des Umkreises in den Kunstsammlungen der Veste Coburg
Place of PublicationRegensburg
Year of Publication2018
Pages209-228
Show Literature
Exhib. Cat. Moscow 2016 149 038 Fig.
EditorThe Pushkin State Museum of Fine Arts, Ministry of Culture of the Russian Federation
TitleKranachi: mezdi Renessansom i Man'erizmom / The Cranachs. Between the renaissance and mannerism
Place of PublicationMoscow
Year of Publication2016
Show Literature
Exhib. Cat. St. Petersburg 2016 180 037 Fig.
AuthorMaria Pavlovna Garlova
EditorThe State Hermitage Museum, St. Petersburg
TitleKranachi: mezdi Renessansom i Man'erizmom / The Cranachs. Between the renaissance and mannerism
Place of PublicationSt. Petersburg
Year of Publication2016
Show Literature
Schuttwolf 2011 90 265 Fig. p. 90
AuthorAllmuth Schuttwolf
TitleVerlustdokumentation der Gothaer Kunstsammlungen. Die Gemäldesammlung
Volume2
Place of PublicationGotha
Year of Publication2011
Show Literature
Bernhard, Rogner 1965 127
AuthorMarianne Bernhard, Klaus P. Rogner
TitleVerlorene Werke der Malerei. In Deutschland in der Zeit von 1939 bis 1945 zerstörte und verschollene Gemälde
Place of PublicationBerlin
Year of Publication1965
Show Literature
Cat. Gotha 1890 385
AuthorCarl Aldenhoven
TitleHerzogliches Museum zu Gotha. Katalog der Herzoglichen Gemäldegalerie
Place of PublicationGotha
Year of Publication1890
Link https://play.google.com/books/reader?id=28UzusAyldcC&pg=GBS.PP1&hl=de
Show Literature
Rathgeber 1835 193 024
AuthorGeorg Rathgeber
TitleBeschreibung der Herzoglichen Gemälde-Galerie zu Gotha
Place of PublicationGotha
Year of Publication1835
Link https://dhb.thulb.uni-jena.de/receive/ufb_cbu_00011801
Show Literature

Research History / Discussion

These paintings [the seven portraits from Schloss Friedenstein in Gotha] were without doubt originally conceived as a series. This theory is supported by various visual clues, including their similar dimensions and uniform backgrounds. In addition all the sitters are shown as half-length figures in three quarter profile with their hands positioned in front of their bodies. Six of the portraits are signed with the monogram IS. The series was probably created about 1560.

[Teget-Welz 2018, 209]

  • George the Pious, Margrave of Brandenburg, about 1560

Images

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Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'George the Pious, Margrave of Brandenburg', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/RU_SMBKPM_929/ (Accessed {{dateAccessed}})
Entry with no author
'George the Pious, Margrave of Brandenburg', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/RU_SMBKPM_929/ (Accessed {{dateAccessed}})

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