The Betrayal and Capture of Christ

The Betrayal and Capture of Christ

Title

The Betrayal and Capture of Christ

[Norton Museum of Art, revised 2018]

Painting on wood

Medium

Painting on wood

[Friedländer, Rosenberg 1979, No. 1979]

This painting 'The Betrayal and Capture of Christ' is a continuous narrative meaning it represents different points in time within the same frame. This was a very common way for European artists during the Middle Ages and the Renaissance to depict famous stories from religion and ancient myths. Two important

This painting 'The Betrayal and Capture of Christ' is a continuous narrative meaning it represents different points in time within the same frame. This was a very common way for European artists during the Middle Ages and the Renaissance to depict famous stories from religion and ancient myths. Two important episodes from the story of Jesus' life are painted here -we see him praying in the Garden of Gethsemane on the night he was arrested, and the moment he was captured. These scenes were written about in the four Gospels of Matthew, Mark, Luke and John.

In the upper left corner of this painting a figure with outstretched arms represents Christ praying as a messenger angel appears with a cross, foretelling Christ's Crucifixion. Behind him, three of Jesus's disciples (Peter, James, and John)

sleep serenely, unaware of the importance of the night.

The center of this painting represents a later moment during the same night, when Judas greeted Jesus with a kiss on the cheek. This was the signal Judas agreed to make so the soldiers with him knew who to arrest.

[Norton Museum of Art]

Attribution
Lucas Cranach the Elder
Production date
1515

Production date

1515

[dated]

Dimensions
Dimensions of support: 75.88 x 54.9 cm (29 7/8 x 21 5/8 in)

Dimensions

  • Dimensions of support: 75.88 x 54.9 cm (29 7/8 x 21 5/8 in)

  • [Norton Museum of Art, revised 2018]

  • 76 x 56 cm

  • [Friedländer, Rosenberg 1979, No. 1979]

Signature / Dating

Signed and dated '1515'

Signature / Dating

  • Signed and dated '1515'

  • [Friedländer, Rosenberg 1979, No. 1979]

Owner
Norton Museum of Art, Florida
Repository
Norton Museum of Art, Florida
Location
West Palm Beach
CDA ID
US_NMA_57-22
FR (1978) Nr.
FR075
Persistent Link
https://lucascranach.org/en/US_NMA_57-22/

Provenance

  • 1905 in the collection of R. Langton Douglas, London
  • 12.11.1912, sale Fr. Lippmann, No. 50, Berlin
  • in the collection of K. von der Heydt
  • 1958 purchase, the R. H. Norton Trust, 57.22
    [Friedländer, Rosenberg 1979, No. 75]

Literature

Reference on page Catalogue Number Figure / Plate
Friedländer, Rosenberg 1979 75
AuthorMax J. Friedländer, Jakob Rosenberg
EditorG. Schwartz
TitleDie Gemälde von Lucas Cranach
Place of PublicationBasel, Boston, Stuttgart
Year of Publication1979
Cat. Palm Beach 1963
EditorNorton Gallery and School of Art
TitlePaintings and Sculpture in the Norton Gallery
Place of PublicationPalm Beach, Florida
Year of Publication1963
Norton Gallery Bulletin 1958
EditorNorton Gallery and School of Art
TitleBulletin of the Norton Gallery
JournalBulletin of the Norton Gallery
Place of PublicationPalm Beach, Florida
IssueApril 1958
Year of Publication1958
Friedländer, Rosenberg 1932 067
AuthorMax J. Friedländer, Jakob Rosenberg
TitleDie Gemälde von Lucas Cranach
Place of PublicationBerlin
Year of Publication1932
Link http://digi.ub.uni-heidelberg.de/diglit/friedlaender1932
  • The Betrayal and Capture of Christ, 1515

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Citing from the Cranach Digital Archive

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Entry with no author
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