The painting depicts Lucretia as a three-quarter length, standing nude figure. Her head is inclined slightly to the left and she stares into the far distance. She points the dagger at her chest with her right hand. The long dagger has already inflicted a small wound just below her breasts.
The painting depicts Lucretia as a three-quarter length, standing nude figure. Her head is inclined slightly to the left and she stares into the far distance. She points the dagger at her chest with her right hand. The long dagger has already inflicted a small wound just below her breasts. She holds the hand of her left raised arm in front of her. A transparent veil is draped over Lucretia's shoulders and is blown to the right by a breeze to cover her vulva. The only jewellery she wears is an armband. Her hair is equally simple - two knots at the side with some loose strands of hair.
An interior is indicated in the background. On the right there is a vague indication of a red curtain and on the left there is a window through which there is a view of a wooded landscape with a river and two castles. Lucretia's overcoat, which is green and fur-trimmed lies beneath the window.
According to the legend Lucretia lived in the 6th century BC and was the beautiful and virtuous wife of the roman Collatinus. The roman King's son - Sextus Tarquinius fell in love with her. During a stay in her house Sextus threatened to kill her and shame her honour if she did not surrender to him. After the rape Lucretia had her father and husband vow vengeance and then she stabbed herself. The event led to an uprising in which the royal family was overthrown and the Roman Empire became a Republic.
Depictions of Lucretia who was seen as the epitomy of female virtue, chastity, fidelity and honour enjoyed great popularity, particularly in the 16th century.
[Literature: Bierende 2002, Follak 2002, Livius 1909]
- Attributions
-
Lucas Cranach the Elder
Hans Cranach
Attributions
Lucas Cranach the Elder | [Cat. Coburg 2018, 94] |
Hans Cranach | [Flechsig 1900 B, 32, No. 123] |
- Production dates
- about 1518 - 1519
about 1530
Production dates
about 1518 - 1519 | [Cat. Coburg 2018, 94] |
about 1530 | [Flechsig 1900 B, 32, No. 123] |
- Dimensions
- Dimensions of support: 85.5 x 57.5 x 1.2 cm
Dimensions
Dimensions of support: 85.5 x 57.5 x 1.2 cm
[Cat. Coburg 2018, 94]
[Friedländer, Rosenberg 1979, 94, No. 121]
[Maedebach, Cat. Coburg 1969]
'1 Fuß 6 Zoll x 1 Fuß 1 Zoll'
[Schuchardt 1851 A, 37, No. 70]
- Signature / Dating
Artist's insignia on the left side of the balustrade: winged serpent with elevated wings
Signature / Dating
Artist's insignia on the left side of the balustrade: winged serpent with elevated wings
[Kunstsammlungen der Veste Coburg, revised 2010]
- Inscriptions and Labels
none Reverse: - on the frame at the left:
handwritten: '714'
[Cat. Coburg 2018, 94]
Inscriptions and Labels
Inscriptions, Badges:
none
Stamps, Seals, Labels:
Reverse: - on the frame at the left:
handwritten: '714'
[Cat. Coburg 2018, 94]
- Owner
- Oberfrankenstiftung
- Repository
- Veste Coburg Kunstsammlungen
- Location
- Coburg
- CDA ID
- DE_KSVC_M162
- FR (1978) Nr.
- FR121
- Persistent Link
- https://lucascranach.org/en/DE_KSVC_M162/