CDA ID / Inventory Number | PRIVATE_NONE-P143 |
Persistent Link | https://lucascranach.org/PRIVATE_NONE-P143 |
FR (1978) No. | FR042 |
Lucretia | [Friedländer, Rosenberg 1979, 78, No. 42] |
Lucas Cranach the Elder | [Exhib. Cat. Brussels 2010, 149, No. 81] [Exhib. Cat. Hamburg 2003, No. 78] [Friedländer, Rosenberg 1979, 78, No. 42] |
about 1510-1513 | [Exhib. Cat. Brussels 2010, 149, No. 81] [Exhib. Cat. Hamburg 2003, No. 78] [Friedländer, Rosenberg 1979, 78, No. 42] |
Owner | Private Collection |
Repository | Private Collection |
Location |
Reference on Page | Catalogue Number | Figure/Plate | |
Cat. Coburg 2018 | 99, fn. 16, 100, fn. 1 | under nos. 16, 17 | |
Teget-Welz 2018 | 224 | ||
Exhib. Cat. Brussels 2010 | 149-150 | 81 | |
Exhib. Cat. Hamburg 2003 | 80, 182 | 78 | Pl. 78 |
Exhib. Cat. Venice 1999 | 366 | 82 | |
Emmendörffer 1998 | 206-207 | ||
Exhib. Cat. Basel 1974 | 661-663 | No. 576 | Fig. 322a |
The insignia and the date 1534 at the top left corner were not authentic and were removed (probably between 1906 and 1919). [Exhib. Cat. Basel 1974, 661, No. 576] |
This is the earliest of the surviving versions depicting the subject of Lucretia. The date has been inferred from a 1514 copy by Hans Döring, a pupil of Cranach. The painting was probably originally conceived as a pendant piece to the Salome in Lisbon (FR032), which was created about 1509. Both women are wearing a choker set with precious stones. [Exhib. Cat. Basel 1974, 661, No. 576] |