Reformation altarpiece [Predella]: The Saved and the Damned (verso)

Reformation altarpiece [Predella]: The Saved and the Damned (verso)

Title

Reformation altarpiece [Predella]: The Saved and the Damned (verso)

[cda 2019]

Painting on hardwood

Medium

Painting on hardwood

[Zdunczyk, in: Harasimowicz, Seyderhelm 2015, 75]

The dead who are resurrected from the ashes of the Earth to eternal life are shown on the left. Their hands are folded in prayer and they direct their gaze towards the Risen Christ [...]. The souls that were excluded by the angels on judgment day from the group of

The dead who are resurrected from the ashes of the Earth to eternal life are shown on the left. Their hands are folded in prayer and they direct their gaze towards the Risen Christ [...]. The souls that were excluded by the angels on judgment day from the group of righteous and damned instead to wailing and gnashing of teeth are shown on the right. This gloomy side of the painting is pervaded by the fire of Hell. Among the damned a godless monk can be identified by his tonsure.

[Zdunczyk, in: Harasimowicz, Seyderhelm 2015, 79]

Attributions
Lucas Cranach der Ältere
Lucas Cranach the Younger and Workshop

Attributions

Lucas Cranach der Ältere

and Lucas Cranach the Younger and workshop
[Zdunczyk, in: Harasimowicz, Seyderhelm 2015, 75]

Lucas Cranach the Younger and Workshop

... and Lucas Cranach the Elder
[Zdunczyk, in: Harasimowicz, Seyderhelm 2015, 75]

Production date
1547 - 1548

Production date

1547 - 1548

[Zdunczyk, in: Harasimowicz, Seyderhelm 2015, 75]

Dimensions
Dimensions of support: 104 x 233 x 1.8 cm

Dimensions

  • Dimensions of support: 104 x 233 x 1.8 cm

  • Dimensions of the entire altarpiece: 447 x 562 cm

  • [Zdunczyk, in: Harasimowicz, Seyderhelm 2015, 75]

Signature / Dating

None

Owner
Evangelische Stadtkirche St. Marien, Wittenberg
Repository
Evangelische Stadtkirche St. Marien, Wittenberg
Location
Wittenberg
CDA ID
DE_ESKStMW_NONE-ESKStMW001e
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/DE_ESKStMW_NONE-ESKStMW001e/
  • Reformation altarpiece [Predella]: The Saved and the Damned (verso), 1547 - 1548

Images

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Conservation History

Date1928

In 1928 the Pozzi frame was removed, the separated panels were reunited and a new frame was made. The following inscription was incorporated in a decorative element on the front of the frame 'Einen andern Grund kann niemand legen / außer dem, der gelegt ist, welcher ist / JESUS CHRISTUS'., and on the reverse of the frame the following inscription was added: 'Diese, von Lukas Cranach d. Ä. / gemalten Altarbilder wurden i. J. 1546 fertig / und i. J. 1928 neu gefaßt.' The new frame covered the paintied image to a small extent, e. g. the figure of a young woman listening to Luther preach.

Zdunczyk, in: [Harasimowicz, Seyderhelm 2015, 96]

Date1811 - 1812

A new architectural frame was designed for the altarpiece in gothic style by Carlo Ignazio Pozzi (1766-1842) while renovstion work was been carried out in the church between 1811/12. At this time the back of the altarpiece was walled up.

Zdunczyk, in: [Harasimowicz, Seyderhelm 2015, 95]

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'Reformation altarpiece [Predella]: The Saved and the Damned (verso)', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/DE_ESKStMW_NONE-ESKStMW001e/ (Accessed {{dateAccessed}})
Entry with no author
'Reformation altarpiece [Predella]: The Saved and the Damned (verso)', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/DE_ESKStMW_NONE-ESKStMW001e/ (Accessed {{dateAccessed}})

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