St George on Horseback with the Dead Dragon

St George on Horseback with the Dead Dragon

Title

St George on Horseback with the Dead Dragon

[cda 2019]

Print, woodcut

St George; the knight is depicted on horseback, holding a lance; the dead dragon lies underneath. Although the subject is clearly St George, the 'A' ('Altosterreich'?) on the caparison of the horse appears in this way on other Cranach prints and possibly refers to the Emperor Maximilian himself, who was

St George; the knight is depicted on horseback, holding a lance; the dead dragon lies underneath. Although the subject is clearly St George, the 'A' ('Altosterreich'?) on the caparison of the horse appears in this way on other Cranach prints and possibly refers to the Emperor Maximilian himself, who was known to be involved in raising the status of the knightly Order of St George during this period. There is a castle in the right background and the two Saxon shields are in the boughs at upper left.

This woodcut represents an important and well-documented stage in the history of colour printing.

1st state: the electoral coat of arms, sable in base; the paper has been prepared with an indigo wash. The manner in which the wash has been applied is suggestive of an atmospheric landscape, and serves as a clue to the original purpose of these prints, which was to emulate the highly finished drawings on a coloured ground fashionable at that date. The line block which registered the heightened areas was printed first, inked with some kind of glue to which gold leaf was then applied and the outline block in black was printed second.

The outline block was a self-contained composition which could be printed as a monochrome print, and further impressions of the 'St George' were printed in this way at a later date.

2nd state: the electoral coat of arms, sable in chief

Attribution
Lucas Cranach the Elder, Inventor*in

Attribution

Lucas Cranach the Elder, Inventor*in

[cda 2019]

Dating
um 1507

Dating

um 1507

[cda 2026]

Chronology
about 1507
after 1507

Chronology

about 1507

[cda 2026]

after 1507

[cda 2026]

after 1507

[cda 2026]

after 1507

[cda 2026]

after 1507

[cda 2026]

Dimensions
Image: 231-233 × 158-160 mm

Dimensions

  • Image: 231-233 × 158-160 mm

  • [cda 2023]

Signature / Dating

Artist's insignia in the block, lower right: 'LC' (only on the coloured versions)

Signature / Dating

  • Artist's insignia in the block, lower right: 'LC' (only on the coloured versions)

Inscriptions

on the caparison of the horse, in the block: 'A'

Inscriptions

Inscriptions:

  • on the caparison of the horse, in the block: 'A'

CDA ID
LC_HVI-58_81
Bartsch-No
VII.284.65
GND-No
https://d-nb.info/gnd/1074718364
Persistent Link
https://lucascranach.org/en/LC_HVI-58_81/

References

Reference on page
Exhib. Cat. Basel 1974/1976 63, 64
AuthorDieter Koepplin, Tilman Falk
TitleLukas Cranach. Gemälde, Zeichnungen und Druckgraphik
Volume1, 2
Place of PublicationBasel, Stuttgart
Year of Publication1974
Link http://nbn-resolving.de/urn:nbn:de:bsz:16-diglit-104522
Geisberg, Strauss 1974
AuthorMax Geisberg
EditorWalter L. Strauss
TitleThe German single-leaf woodcut 1500 - 1550
Place of PublicationNew York
Year of Publication1974
Jahn, Bernhard 1972 280, 328, 329
AuthorJohannes Jahn
EditorMarianne Bernhard
TitleLucas Cranach der Ältere: 1472 - 1553. Das gesamte graphische Werk. Mit Exempeln aus dem graphischen Werk Lucas Cranach des Jüngeren und der Cranachwerkstatt
Place of PublicationMunich
Year of Publication1972
Hollstein 1959 58
AuthorFriedrich W. H. Hollstein
TitleCranach - Drusse
Publicationin K.G. Boon and R.W. Scheller, eds., Hollstein's German engravings, etchings and woodcuts: ca. 1400 - 1700
Volume6
Place of PublicationAmsterdam
Year of Publication1959
ReferencesGND 1132640032
Geisberg 1930
AuthorMax Geisberg
TitleBilder-Katalog zu Max Geisberg: Der deutsche Einblatt-Holzschnitt in der ersten Hälfte des XVI. Jahrhunderts
Place of PublicationMunich
Year of Publication1930
Dodgson 1911 286, 287
AuthorCampbell Dodgson
TitleCatalogue of Early German and Flemish woodcuts preserved in the Department of Prints and Drawings in the British Museum, Vol. II
Volume2
Place of PublicationLondon
Year of Publication1911
Link https://archive.org/details/catalogueofearly02brit/page/292/mode/2up
Heller 1854 165
AuthorJoseph Heller
TitleLucas Cranach's Leben und Werke
Place of PublicationNuremberg
Year of Publication1854
Link http://hdl.handle.net/2027/mdp.39015062799757 http://hdl.handle.net/2027/mdp.39015062799757
Schuchardt 1851 C 223
AuthorChristian Schuchardt
TitleLucas Cranach des Aeltern Leben und Werke. Zweiter Theil
Place of PublicationLeipzig
Year of Publication1851
Link http://digi.ub.uni-heidelberg.de/diglit/schuchardt1851bd2
Bartsch 1808 284
AuthorAdam Bartsch
TitleLe peintre graveur. Les vieux maitres allemands
Volume7
Place of PublicationVienna
Year of Publication1808
Link http://nbn-resolving.de/urn:nbn:de:bsz:16-diglit-228876
ReferencesGND 997996056

Research History / Discussion

An impression of [the woodcut] was sent in 1507 from Friedrich the Wise to the counsellor and artistic advisor to the Emperor, Conrad Peutinger, who mentioned it in a letter of 24 September 1508, written to the Elector: 'an equestrian figure printed in gold and silver by your Highness's painter [i.e. Cranach]'. It had clearly so impressed Peutinger that he had commissioned a similar experiment in colour printing himself from Hans Burgkmair. Impressions of the resultant prints, the 'St George and Maximilian on Horseback' printed in gold and silver on parchment, were enclosed with his letter to Friedrich [Bartrum, Exhib. Cat. London 1995, nos. 132, 134]. Peutinger asked Friedrich to give his opinion on 'whether they are well printed or not', and then wrote on the following day to Duke Georg of Saxony asking for his opinion on the new technique and indicating his close involvement with the project: 'I have, together with my artists, discovered a method of printing in gold and silver on parchment and paper'. A reply of 17 October from Duke Georg to Peutinger records much admiration of the technique (the letters are quoted in Falk's book on Burgkmair, p. 115).

[Bartrum, Exhib. Cat. London 1995, 173]

  • St George on Horseback with the Dead Dragon, about 1507
State / Edition
1st state; edition a)
Dating
about 1507

Dating

about 1507

[SKD 2026]

Medium
Print on paper

Medium

Print on paper

[Staatliche Kunstsammlungen Dresden, Kupferstich-Kabinett, 2023]

Dimensions
Sheet: 233 x 161 mm (trimmed to the borderline)

Dimensions

  • Sheet: 233 x 161 mm (trimmed to the borderline)

  • Image: 233 x 161 mm

  • [Staatliche Kunstsammlungen Dresden, Kupferstich-Kabinett, 2026]

CDA ID
DE_SKD_A6524
Persistent Link
https://lucascranach.org/en/DE_SKD_A6524
Owner
Staatliche Kunstsammlungen Dresden
Repository
Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden
Location
Dresden

References

Reference on page
Exhib. Cat. Dresden 2020 122-123
AuthorStephanie Buck, Petra Kuhlmann-Hodick, Claudia Schnitzer, Gudula Metze, Björn Egging
EditorStaatliche Kunstsammlungen Dresden
Title300 Jahre Kupferstich-Kabinett. Sammeln in der Gegenwart [Kupferstich-Kabinett, Dresden. 12.06-14.09.2020]
Place of PublicationLondon
Year of Publication2020
Savage, Stijnman 2017 59-61
AuthorElizabeth Savage, Ad Stijnman
TitleDie Farbholzschnitte von Lucas Cranach dem Älteren
Publicationin Gunnar Heydenreich, Daniel Görres, Beat Wismer, eds., Lucas Cranach der Ältere. Meister - Marke - Moderne. [Exhib. Cat. Düsseldorf 2017]
Place of PublicationMunich
Year of Publication2017
Pages58-65
Exhib. Cat. Madrid 2007/2008 426
EditorFernando Checa
TitleDurero y Cranach. Arte y Humanismo en la Alemania del Renacimiento [Madrid, Museo Thyssen-Bornemisza]
Place of PublicationMadrid
Year of Publication2007
Exhib. Cat. Dresden 2004 64
AuthorClaudia Schnitzer, Iris Berndt
EditorWolfgang Holler
TitleWeltsichten. Meisterwerke der Zeichnung, Graphik und Photographie
Place of PublicationMunich, Dresden
Year of Publication2004

Images

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Technical studies

22.10.2025Scientific analysis

  • Instrumental material analysis

The following elements were detected using XRF (Thermo Scientific - Niton XL3t GOLDD+) and based on their optical characteristics the following fillers, drawing media and colourants could be identified:

M98 Blue (paper): Ca, Fe, Pb

Ca: chalk/gypsum (?); Fe: iron oxide (?); Pb: lead white (?)

Organic blue pigment (?)

M99 White on blue (printing ink): Pb, Ca, Fe

Pb: lead white; Ca: chalk / gypsum (?); Fe: iron oxide (?)

M100 Cardboard: Ca, Fe

Ca: chalk / gypsum (?); Fe: iron oxide (?)

[Gunnar Heydenreich, Diana Blumenroth, unpublished analysis report, 22.10.2025]

  • examined by Gunnar Heydenreich
  • examined by Diana Blumenroth

Citing from the Cranach Digital Archive

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