The four paintings of the predella are dedicated to Nicholas, the bishop of Myra. He is one of the most folkloristic saints of the Middle Ages. Veneration of this saint introduced customs that are still practiced today on the day of St Nicholas.
[... On the first panel] he throws
The four paintings of the predella are dedicated to Nicholas, the bishop of Myra. He is one of the most folkloristic saints of the Middle Ages. Veneration of this saint introduced customs that are still practiced today on the day of St Nicholas.
[... On the first panel] he throws lumps of gold through the window of a poor gentleman so that he may use it as a dowry for his three daughters and save them from the fate of prostitution. The small room shows a bed in which three girls sleep. Their shoes are placed on the step in front and their dresses hang on a rod behind. The father has opened the door silently to catch sight of the benefactor: the old, bearded man wearing a mitre and cope decorated with precious stones and holding a crosier, who appears on all four panels.
In the second painting he thwarts the execution of two innocents condemned to death, according to the legend it was originally three. They are already being threatened by the executioner's sword.
When a famine broke out in his diocese of Myra in Asia Minor Nicholas sent a ship containing corn to the town. The ship was miraculously refilled so that it arrived at its destination without any loss. Here the valuable cargo is unloaded in the presence of Nicholas.
The last panel depicts the healing of the lame at the grave of Nicholas. This is represented by a giant, undecorated sarcophagus that fills the entire pictorial space. A cripple sits in the foreground a second holds his hand under a hot oil spring rising from the grave. In the Middle Ages oil was considered to be a cure against all forms of illness.
[Sachs 1989, 115, 116]
- Attributions
-
Follower of Lucas Cranach the Elder
Anonymous Master from the Cranach Workshop
Attributions
Follower of Lucas Cranach the Elder | [Sachs 1989] |
Anonymous Master from the Cranach Workshop | 'unknown, formal member of the Cranach Workshop' |
- Production date
- about 1515-1519
Production date
about 1515-1519 | [cda 2017] |
- Dimensions
- Dimensions of painted surface: 115.5 x 155.5 cm
Dimensions
Dimensions of painted surface: 115.5 x 155.5 cm
[Heydenreich, cda 2016]
- Signature / Dating
None
- Owner
- St. Marien zu Bernau
- Repository
- St. Marien zu Bernau
- Location
- Bernau bei Berlin
- CDA ID
- DE_StMB_NONE-001g
- FR (1978) Nr.
- FR-none
- Persistent Link
- https://lucascranach.org/en/DE_StMB_NONE-001g/