Lucretia

Lucretia

Titles

Lucretia

[http://webart.nationalmuseum.se/; 15.05.2010]

Lukretia

[Exhib. Cat. Basel 1974, 666, No. 585]

Painting on beech wood

Medium

Painting on beech wood

[Klein, Report 1992]

wood

[http://webart.nationalmuseum.se/; 15.05.2010]
[Exhib. Cat. Stockholm 1966, 513, No. 1288]

The painting depicts Lucretia as a full-length standing nude with a view of a landscape in the background.

Her head is inclined slightly to the left and she looks at the viewer. With her raised, right hand she presses the short dagger against her chest just below her breasts. Her

The painting depicts Lucretia as a full-length standing nude with a view of a landscape in the background.

Her head is inclined slightly to the left and she looks at the viewer. With her raised, right hand she presses the short dagger against her chest just below her breasts. Her left hand elegantly holds the transparent veil, which covers her shoulder. A soft breeze has blown it to the left of the painting so that it covers but does not hide her vulva. The only piece of jewellery she wears is a neckband decorated with pearls and her hair is pinned up beneath a net bonnet with pearls.

The background is dark, but a window on the left side of the painting indicates that Lucretia is standing in a room. A wooded landscape with a river, two buildings and mountains is visible through the window.

According to the legend Lucretia lived in the 6th century BC and was the beautiful and virtuous wife of the roman Collatinus. The roman King's son - Sextus Tarquinius fell in love with her. During a stay in her house Sextus threatened to kill her and shame her honour if she did not surrender to him. After the rape Lucretia had her father and husband vow vengeance and then she stabbed herself. The event led to an uprising in which the royal family was overthrown and the Roman Empire became a Republic.

Depictions of Lucretia who was seen as the epitomy of female virtue, chastity, fidelity and honour enjoyed great popularity, particularly in the 16th century.

[Literature: Bierende 2002, Follak 2002, Livius 1909]

Attribution
Lucas Cranach the Elder

Attribution

Lucas Cranach the Elder

[Friedländer, Rosenberg 1979, 118, No. 240A]
[Exhib. Cat. Basel 1974, 666, No. 585]
[http://webart.nationalmuseum.se/; 15.05.2010]
[Exhib. Cat. Stockholm 1966, 513, No. 1288]

Production date
1528

Production date

1528

[dated]

Dimensions
Dimensions of support: 57 x 38 cm

Dimensions

  • Dimensions of support: 57 x 38 cm

  • [http://webart.nationalmuseum.se/; 15.05.2010]

  • Dimensions including frame: 69 x 51 x 4 cm

  • [http://webart.nationalmuseum.se/; 15.05.2010]

Signature / Dating

Artist`s insignia bottom right: winged serpent and dated '1528'

Signature / Dating

  • Artist`s insignia bottom right: winged serpent and dated '1528'

  • [http://webart.nationalmuseum.se/; 15.05.2010]

  • [Exhib. Cat. Stockholm 1966, 513, No. 1288]

Owner
Nationalmuseum, Stockholm
Repository
Nationalmuseum, Stockholm
Location
Stockholm
CDA ID
SE_NMS_1080
FR (1978) Nr.
FR240A
Persistent Link
https://lucascranach.org/en/SE_NMS_1080/

Provenance

  • from the collection of Queen Christine; probably in Schloss Gripsholm (Inventory 1546 - 48)
    [Handwritten annotation by D. Koepplin on the reverse of a photograph in his archive]
  • the provenance has not been clearly established: a small Lucretia is described in the Gripsholm-Inventory of 1548, however this probably refers to one of five paintings from Prague, which once belonged to Christine.
    [Exhib. Cat. Stockholm 1966, 513, No. 1288]
  • 1869 Bequest of Axel Gabriel Bielke
    [http://webart.nationalmuseum.se/work/; 15.05.2010]
    [Exhib. Cat. Stockholm 1966, 513, No. 1288]

Exhibitions

Basel 1974, No. 585
Stockholm 1966, No. 1288

Literature

Reference on page Catalogue Number Figure / Plate
Bierende 2002
AuthorEdgar Bierende
TitleLucas Cranach d.Ä. und der deutsche Humanismus. Tafelmalerei im Kontext von Rhetorik, Chroniken und Fürstenspiegeln
Place of PublicationBerlin
Year of Publication2002
Follak 2002
AuthorJan Follak
TitleLucretia zwischen positiver und negativer Anthropologie: Coluccio Salutatis Declamatio Lucretie und die Menschenbilder im exemplum der Lucretia von der Antike bis in die Neuzeit
Place of PublicationKonstanz
Year of Publication2002
Link http://nbn-resolving.de/urn:nbn:de:bsz:352-opus-9144
Exhib. Cat. Stockholm 1988 68 No. 52 Fig. p. 68
EditorNationalmuseum, Stockholm
TitleCranach och den tyska renässancen
Place of PublicationStockholm
Year of Publication1988
Friedländer, Rosenberg 1979 118 240A
AuthorMax J. Friedländer, Jakob Rosenberg
EditorG. Schwartz
TitleDie Gemälde von Lucas Cranach
Place of PublicationBasel, Boston, Stuttgart
Year of Publication1979
Exhib. Cat. Basel 1974/1976 666 585
AuthorDieter Koepplin, Tilman Falk
TitleLukas Cranach. Gemälde, Zeichnungen und Druckgraphik
Volume1, 2
Place of PublicationBasel, Stuttgart
Year of Publication1974
Link http://nbn-resolving.de/urn:nbn:de:bsz:16-diglit-104522
Exhib. Cat. Stockholm 1966 513 No. 1288
Authorn. a.
TitleChristina Queen of Sweden - a personality of European civilisation [Nationalmuseum Stockholm]
Place of PublicationStockholm
Year of Publication1966
Friedländer, Rosenberg 1932 66 198a
AuthorMax J. Friedländer, Jakob Rosenberg
TitleDie Gemälde von Lucas Cranach
Place of PublicationBerlin
Year of Publication1932
Link http://digi.ub.uni-heidelberg.de/diglit/friedlaender1932
  • Lucretia, 1528

Images

Compare images
  • overall
  • overall
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Technical studies

11.05.1992Scientific analysis

  • Identification of wood species / Dendrochronology

Support

Identification of wood species: beech wood

Youngest annual ring: 1513

[Klein Report, 11.05.1992]

  • analysed by Peter Klein

Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'Lucretia', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/SE_NMS_1080/ (Accessed {{dateAccessed}})
Entry with no author
'Lucretia', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/SE_NMS_1080/ (Accessed {{dateAccessed}})

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