Lucretia

Lucretia

Title

Lucretia

[cda 2014]

Painting on wood

Medium

Painting on wood

[Exhib. Cat. Nuremberg 1963, No. 41]

The painting depicts Lucretia as a three-quarter length, standing figure in contemporary dress.

Her head is lowered and inclined slightly to the right. In her right hand, which is raised she holds a long dagger pointing down towards her, and in her left hand she elegantly holds the gown. This is

The painting depicts Lucretia as a three-quarter length, standing figure in contemporary dress.

Her head is lowered and inclined slightly to the right. In her right hand, which is raised she holds a long dagger pointing down towards her, and in her left hand she elegantly holds the gown. This is patterned and trimmed with fur and is draped over both shoulders. Under the gown Lucretia wears a sumptuous robe with a similar pattern. In addition Lucretia wears precious jewelry: a neckband decorated with precious stones, two thick necklaces and a linked chain with a pendant. She wears gloves and numerous rings on her fingers. Her hair is pinned up under a bonnet decorated with pearls.

According to the legend Lucretia lived in the 6th century BC and was the beautiful and virtuous wife of the roman Collatinus. The roman King's son - Sextus Tarquinius fell in love with her. During a stay in her house Sextus threatened to kill her and shame her honour if she did not surrender to him. After the rape Lucretia had her father and husband vow vengeance and then she stabbed herself. The event led to an uprising in which the royal family was overthrown and the Roman Empire became a Republic.

Depictions of Lucretia who was seen as the epitomy of female virtue, chastity, fidelity and honour enjoyed great popularity, particularly in the 16th century.

[Literature: Bierende 2002, Follak 2002, Livius 1909]

Attribution
Master IW

Attribution

Master IW

[Sotheby's online database, accessed 08.06.2021] [Exhib. Cat. Nuremberg 1963, no. 41]; as the 'Monogrammist J. W.' [Auct. Cat. Cologne 1927, no. 9]

Production date
1525

Production date

1525

[dated]

Dimensions
Dimensions of support:

Dimensions

  • Dimensions of support:

  • 101 x 59 cm

  • [Exhib. Cat. Nuremberg 1963, no. 41]

Signature / Dating

Inscribed on the wall, lower edge: artist's insignia 'I W' and dated '1525'

Signature / Dating

  • Inscribed on the wall, lower edge: artist's insignia 'I W' and dated '1525'

Owner
Private Collection
Repository
Private Collection
CDA ID
PRIVATE_NONE-P065
FR (1978) Nr.
FR-none
Persistent Link
https://lucascranach.org/en/PRIVATE_NONE-P065/

Provenance

  • 1926 Galerie Fischer, Luzern [1]
  • auction, Kunsthaus Lempertz, Cologne, 03.05.1927, no. 9 [2]
  • 1969 Collection Kisters, Switzerland [1]
  • 31.01.2013 Sotheby's New York, Lot 11[3]
    [1] [D. Koepplin, handwritten on the reverse of a photograph; Koepplin Archive]
    [2] [Auct. Cat. Cologne 1927, no. 9]
    [3] [Sotheby's online database, accessed 08.06.2021]

Exhibitions

Nuremberg 1963, no. 41
Munster 1963, no. 41
Basel 1974, no. 582

Literature

Reference on page Catalogue Number Figure / Plate
Exhib. Cat. Prague 2016 142, 143, 145 Fig. p. 143
EditorOlga Kotková
TitleCranach. Ze všech stran. From all sides.
Place of PublicationPrague
Year of Publication2016
Pages16-180
Exhib. Cat. Prague 2005 124, 140 (English version 47, 52) under nos. 34, 43
EditorObrazárna Pražského hradu, Kaliopi Chamonikola
TitlePod znamením okrídleného hada. Lucas Cranach a ceské zeme. Under the winged Serpent. Lucas Cranach and the Czech Land
Place of PublicationPrague
Year of Publication2005
Kesner 2005 34, 36-38 (English version 16-18) Fig. p. 36
AuthorLadislav Kesner
TitleCranachuv zák - Mistr IW/ The pupil of Cranach - Master IW
Publicationin Kaliopi Chamonikola, ed., Pod znamením okrídleného hada. Lucas Cranach a ceské zeme, Under the winged Serpent, Lucas Cranach and the Czech Lands, Exhib. Prague 2005
Place of PublicationPrague
Year of Publication2005
Pages34-41 (16-18)
Exhib. Cat. Basel 1974/1976 37, 665 582
AuthorDieter Koepplin, Tilman Falk
TitleLukas Cranach. Gemälde, Zeichnungen und Druckgraphik
Volume1, 2
Place of PublicationBasel, Stuttgart
Year of Publication1974
Link http://nbn-resolving.de/urn:nbn:de:bsz:16-diglit-104522
Exhib. Cat. Nuremberg 1963 041 Pl. 60
EditorGermanisches Nationalmuseum, Nuremberg
TitleSammlung Heinz Kisters. Altdeutsche und altniederländische Gemälde
Place of PublicationNuremberg
Year of Publication1963
Pesina 1958 A 78 No. 343 Pl. 252
AuthorJaroslav Pešina
TitlePaintings of the Gothic and Renaissance periods, 1450 - 1550
Place of PublicationPrague
Year of Publication1958
Auct. Cat. Cologne 1927 8 009 Pl. 4
EditorKunsthaus Lempertz, Cologne
TitleGemälde alter Meister: Sammlung A. Revius, Den Haag, und anderer Besitz; darunter ein Werk vom Kölnischen Meister des Aachener Altares aus einem westdeutschen Adelsschloss; Kunsthaus Lempertz, 3. Mai 1927 (Katalog Nr. 252)
Place of PublicationCologne
Year of Publication1927
Link https://digi.ub.uni-heidelberg.de/diglit/lempertz1927_05_03

Research History / Discussion

According to J. Pesina this is the first/earliest bohemian panel painting depicting a subject from antiquity.

[Exhib. Cat. Nuremberg 1963, No. 41]

  • Lucretia, 1525

Images

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Citing from the Cranach Digital Archive

Entry with author
<author's name>, 'Lucretia', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P065/ (Accessed {{dateAccessed}})
Entry with no author
'Lucretia', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P065/ (Accessed {{dateAccessed}})

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