Annunciation [left wing, recto], St. Jerome [left wing, verso]

Title

[cda 2017]

Painting on limewood

Medium

Painting on limewood

[Heydenreich 2016, 147]
[Klein Report, 01.12.2013]

Recto: The Virgin kneels with folded hands on a prayer stool and looks towards the left from where the Angel of the Annunciation approaches. His right hand is already raised in blessing and with his left hand the angel pulls aside the curtain of the baldachin where the Virgin kneels.

Verso: Full-length representation of St Jerome, wearing the red vestments of a cardinal and standing on a thin strip of ground against a dark background. The saint is attempting to pull a thorn out of the paw of a lion, standing on his hind-legs at the left.

[Görres, cda 2017]

Attribution: Anonymous Master from the Cranach Workshop

Attribution

Anonymous Master from the Cranach Workshop

'responsible for the Mittenwald retable' [Heydenreich 2016, 147-149]

Production date: 1516

Production date

1516	[central panel dated]

Dimensions: Dimensions of support: 92.5 x 31 cm

Dimensions

Dimensions of support: 92.5 x 31 cm
[Sotheby's, Munich, 5 Oct 2005, lot 27; http://www.sothebys.com/de/auctions/ecatalogue/2005/property-from-the-royal-house-of-hanover-mm0986/lot.27.html; accessed 23 Feb 2016]

Signature / Dating: Central panel dated at the bottom with '1516'

Signature / Dating

Central panel dated at the bottom with '1516'
[cda 2017]

Owner: Private Collection
Repository: Private Collection

CDA ID: PRIVATE_NONE-P142b
FR (1978) Nr.: FR-none
Persistent Link: https://lucascranach.org/en/PRIVATE_NONE-P142b/

Connected Works

Provenance

Property of the Royal House of Hanover
Sotheby's, Munich, 5 Oct 2005, lot 27
[Sotheby's, Munich, 5 Oct 2005, lot 27; http://www.sothebys.com/de/auctions/ecatalogue/2005/property-from-the-royal-house-of-hanover-mm0986/lot.27.html#; accessed 23 Feb 2016]
Private Collection

Literature

Reference on page

Catalogue Number

Figure / Plate

Heydenreich 2016

147-149

9, 10a, 11b, 14a

Author	Gunnar Heydenreich
Title	Das Mittenwalder Retabel (1514). Die Malerei im Spiegel der Cranach-Forschung
Publication	in, Brandenburgisches Landesamt für Denkmalpflege und Archäologisches Landesmuseum ed., Flügelaltäre um 1515 - Höhepunkte mittelalterlicher Kunst in Brandenburg und in den Nachbarregionen
Place of Publication	Berlin
Year of Publication	2016
Link	https://lucascranach.org/application/files/7616/7870/1703/Heydenreich_2016_Das_Mittenwalder_Retabel.pdf
Pages	138-153

Show Literature

Auct. Cat. Munich 2005

Editor	Sotheby's Auction House, London
Title	Property from the Royal House of Hanover, Munich, 05 Oktober 2005 - 15 Oktober 2005
Place of Publication	Munich
Year of Publication	2005

Show Literature

Exhib. Cat. Prague 2005

116 (English version 45)

under no. 30

Editor	Obrazárna Pražského hradu, Kaliopi Chamonikola
Title	Pod znamením okrídleného hada. Lucas Cranach a ceské zeme. Under the winged Serpent. Lucas Cranach and the Czech Land
Place of Publication	Prague
Year of Publication	2005

Show Literature

Research History / Discussion

The painter of this retable was trained in Cranach‘s workshop and sourced inspiration from his collection of templates and preparatory material. He also drew on Dürer prints as a basis for his compositions. Results of a technical examination of the painting do not indicate that it was executed in the Wittenberg workshop. As Friedrich III is represented on this painting future research should concentrate on finding out more about this particular commission and attempt to establish the relationship of the artist responsible for the Mittenwald Retable (http://lucascranach.org/DE_MKM_NONE-MKM001C) with the elector of Saxony.

[see Heydenreich 2016, 149-150]

Annunciation [left wing, recto], St. Jerome [left wing, verso], 1516

Images

Technical studies

02. 2010Technical examination / Scientific analysis

Infrared reflectography

Underdrawing

DESCRIPTION

Tools/Material:

- fluid, black medium, brush

Type/Ductus:

- freehand underdrawing

- thin to somewhat broader lines, possibly some washes

Function:

- relatively binding for the final painted version; lines of varying strengths delineate the main contours, describe essential details and facial features, no representation of volume with hatching-strokes

Deviations:

- very few corrections were made to forms during the painting process; small changes for example the dove, and the plants at the bottom left

INTERPRETATION

Attribution:

- painter of the Mittenwald Retable

St Jerome [left wing, verso]

DESCRIPTION

Tools/Material:

- fluid, black medium, brush

Type/Ductus:

- freehand underdrawing

- thin to somewhat broader lines

Function:

- relatively binding for the final painted version, lines of various strengths delineate the main contours, describe the essential details and the facial features; no representation of volumes with hatching-strokes

Deviations:

- very few corrections to forms during the painting process

INTERPRETATION

Attribution:

- painter of the Mittenwald Retable

[Sandner, Smith-Contini, Heydenreich, cda 2017]

02. 2010Technical examination / Scientific analysis

UV-light photography

04.09.2007Technologische Untersuchung / Naturwissenschaftliche Materialanalyse

Identification of wood species / Dendrochronology

Support

Limewood

[Examination report, Peter Klein, 04. Sept. 2007]

examined by Peter Klein

2007Technical examination / Scientific analysis

Infrared reflectography

Citing from the Cranach Digital Archive

Entry with author: <author's name>, 'Annunciation [left wing, recto], St. Jerome [left wing, verso]', <title of document, data entry or image>. [<Date of document or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P142b/ (Accessed {{dateAccessed}})
Entry with no author: 'Annunciation [left wing, recto], St. Jerome [left wing, verso]', <title of document, data entry or image>. [<Date of document, entry or image>], in: Cranach Digital Archive, https://lucascranach.org/en/PRIVATE_NONE-P142b/ (Accessed {{dateAccessed}})

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